Showing posts with label Horror. Show all posts
Showing posts with label Horror. Show all posts

Friday, September 4, 2026

COVER REVEAL - HORROR - DAMIANA (Sigils, #1) by Lilly Manning

Damiana
Sigils, #1
by Lilly Manning
Publication date: October 22nd 2026
Genres: Adult, Horror, Romance





BLURB

The retreat promised the other half of her soul.

It was a promise with a waitlist: black-sand beaches, redwood fog, luxury glamping, ceremonial cacao, and a bonfire where every guest casts a sigil for the kind of love she’s been waiting her whole life to find.

Draw the symbol. Feed it to the flames. He’ll come.

Marlowe only attends because her boss pays for her to go. It’s all nonsense, she tells herself. An evening of designer spirituality for women desperate enough to believe the lie.

Then every woman’s wish starts coming true. Including hers.

Damian is everything she asked for—patient, devoted, ruinously handsome—and the only person trying to convince her not to sign up for the next retreat.

Because the fire wasn’t symbolic. The women didn’t manifest anything. Every wish was answered by design.

Now the retreat’s charismatic founder and the secretive sisterhood behind her wellness empire expect Marlowe to honor a bargain she never knew she made.

And walking away has never been part of the program.

The fire doesn’t forget what was promised.

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Author Info

Lilly Manning writes romance and romantic suspense—stories where the tension isn't just between the sheets. Her stories are built on sharp heroines, guarded heroes, and worlds where secrets are currency and trust has to be earned.

A ghostwriter for years, Lilly spent a long time putting her words into other people's names. The Alias Series is her first work published as herself.

Earned, Book I of The Alias Series, is available now on Amazon.

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Saturday, August 22, 2026

BOOK BLITZ - DARK FATNASY - KEY 13: And other Stories by Rose Titus

Key 13: And other Stories
by Rose Titus
Publication date: October 6th 2017
Genres: Adult, Dark Fantasy, Fantasy, Horror




BLURB

Rose Titus, author of The Vampire Next Door Trilogy, now brings together a collection of her best short stories. Here in this book you will find tales of vampires, werewolves, witches, ghosts, space aliens, and even a few angels. These stories answer questions such as where do we go after we die? What is the future of this planet? And what is the future of humanity? There are also stories of young runaways, old hippies, worried mothers, troubled families, love gone horribly wrong, selfish billionaires, people who find themselves suddenly homeless, old men with their recollections of days gone by, and girls gone wild! There may even be a murder or two.

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Author Info

Rose Titus resides somewhere in cold, dreary New England with two manipulative cats and a very out of date computer with which she creates horror and fantasy fiction. She also has a restored classic Buick to ride around in while in search of adventure.

For travel she has stayed the night in an allegedly haunted castle, has taken a boat ride on Loch Ness, and has visited the Bermuda Triangle -- without getting lost.

Her work has previously appeared in Lost Worlds, Lynx Eye, Bog Gob, Mausoleum, Weird Terrain, Descend, The Dead River Review, and other literary magazines. She also writes regularly for Blood Moon Rising Magazine.

When she's not working or writing or messing with her old car, she waits by the mailbox for her Fortean Times to arrive.

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SPOTLIGHT w/EXCERPT - HORROR - HOLES IN THE SOMEWHRE by Richard R. Brown

Sometimes grief sneaks up on you and hunts you down.

Sometimes it walks right up and punches you.

Holes in the Somewhere 
by Richard R. Brown
Genre: Speculative Fiction, Horror Stories


Holes In The Somewhere is a collection of short works, anchored by a personal memoir of the author's own experience with grief and loss after the passing of his father from cancer, by speculative fiction author Richard R. Brown.

A single mother encounters insanity in the worst possible person; an estranged parent loses his reunited family to a mysterious bathroom wall; a group of strangers come together to fight a fungal pandemic; college students prepare for the extinction of the Sun... these are a few of the challenges faced by the desperate characters in Holes In The Somewhere. The choices they make, the dilemmas they wrestle with, all have very supernatural consequences, but are felt with very human emotions.

These stories will tug at strings your heart thought were too well-hidden for anyone to know about, and cause the mind to probe the gray areas between wrong and right. Between normal and paranormal. Behind what's real and only to the side of what's unreal. A perfect mix of quick, unsettling reads, and longer, heart-wrenching escapes.

 

What readers are saying:

"The debut is speculative fiction in form: weird, unsettling, occasionally cosmic. But it reads less like a genre exercise than like grief that has been given permission to take unusual shapes." - Justine Castellon, Author/Reviewer

"I guarantee there is a 'gotcha' story in there for just about anybody, and if you don't find at least one that bothers you just as you're about to fall asleep, you're made of sterner stuff than I am." - Kenneth Crist, editor-in-chief, Black Petals Magazine

“These stories are weird and creepy and heart-wrenching in all the best ways. If you enjoy fiction that makes you question everything and wrecks you emotionally, this is for you!” – Valerie S., 5 star Amazon Review

Amazon * B&N * Kobo * IngramSpark * Bookbub * Goodreads

 



 

Excerpt from ‘No Content Available’, a story in ‘Holes In The Somewhere’ 


Okay, yes, being loved was pretty fantastical. Is that a word? It doesn’t matter; it’s what it was. The angel I adored and stoked the passionate flames in my heart loved me, and her child- my child- loved me. I knew by how she hugged me, always threatening to choke me into unconsciousness with her loving arms. I knew by the pictures she drew for me at daycare. I knew by the faith in her wide, brown eyes when she asked for my help, my protection, from the monsters that infested her closet.

Amber and I were watching American Idol about thirty minutes after Clara had been put to bed, when a shaky, timid voice asked from the living room doorway, “Daddy, there are monsters in my closet. Will you sing to scare them away?”

Amber laughed. My musical talent was a reliable source of humor. I smiled at Clara, struck by the realization that my voice was so horrendous that it would scare the scariest things in my child’s imagination. The three of us made our way down the hallway to Clara’s bedroom, and I urged the two of them to stand outside the doorway, so as to protect them from any resistant monsters, or maybe panicky ones. Clara nodded her vigorous assent and clung to Amber’s waist, eyes wide with fear and brimming with tears. I stole into the bedroom, warned the monsters of my intentions, and slid the closet door open. That left half of the closet still in deep shadow, and Clara, peeking around the corner, alerted me to the still-present danger. “They’re still in there, Daddy!” she whispered. Everyone knows that idle threats are counter-productive when dealing with monsters, so I drew in a deep breath, poked my head into the shadowy depths, and sang. I considered trying to make my voice even worse than normal, but decided that Clara thought it was already bad enough, and I didn’t want to risk sounding phony to my daughter. So I sang. I sang with the heartfelt intention and desire to banish any slimy, scaly, or slobbering creature that remained to harm my little girl. I sang, 

All you critters

Horned and fanged

Clawed and tentacled

Who delight in frightening kids

You are now vanquished, banished, and defeated.

Return to your shadowy homes, 

Your dripping caves,

Your stinky holes.

Bother my little girl no more

For she is my daughter, 

And has inherited my voice!

After a long, hushed pause, Clara inspected the closet and declared it safe. I received an extra tight hug for my bravery, and Clara gratefully went to bed. As Amber and I retreated from the room, Clara turned her little head to look me directly in the eyes and whispered her thanks.

Several months later, during a period of civility which marked the short times between our ferocious arguments, Amber muted the television and interrupted my reading by blurting out, “I don’t love you.” 





Richard R. Brown is a legally-blind author of speculative fiction, horror, and thrillers. He writes from experience, having lived through paranormal events, alien attacks, and cosmic horrors -- at least, in his mind and in the books he listens to. He and his Guide Dog live in the Pacific Northwest. Richard is between Guide Dogs at the moment as Edison retired last summer. Edison was at Richard's side through every story in his book. Richard has no such guidance for his current novel, but will likely have one for editing help. 

Friday, August 14, 2026

SPOTLIGHT w/INTERVIEW - DARK COMEDY - MALABRAVA by Carol James Marshall

MalaBrava 
Carol James Marshall 
Date of Publication: August 1st 2026
Genre: Horror, Dark Comedy
ASIN: B0H12RB68Z
Number of pages: 241
Word Count: 58,477




BLURB
Welcome to Malabrava a town where the squirrels carry knives, the vampires have HOA problems, and the local mad scientist is still workshopping the perfect dick.

When Grizzy Del Monstruo isn’t decapitating problems or resurrecting boyfriends in her basement lab, she’s navigating family dinners, supernatural bureaucracy, and the inconvenience of having a moral compass. Around her, monsters bicker, humans wander in by accident, and nobody seems particularly concerned about the body count as long as it stays within city limits.

Malabrava is a brutally funny, deeply inappropriate adult dark comedy packed with gore, sex, monsters, and unhinged domesticity.

If you like your horror ridiculous, your comedy filthy, and your towns aggressively cursed, you’ve just found your new favorite place to never visit.

Excerpt:
Griselda grew up in Malabrava. Her family founded the town. The streets, the smells, the houses, the people, and even the squirrels with knives run through her veins. She loves Malabrava and all its quirks.
Grizzy is a Del Monstruo. Not the youngest, not the oldest. She’s the middle-aged one. The Auntie. The one who never married, never wanted to. Grizzy’s the one people call when something needs to be handled. Because that’s what Grizzy does. Grizzy handles things.
Nobody asks how. It’s understood. Grizzy is what some might call sketchy with a heart of gold. She’ll go to war for the people she loves, and she has a clean, no-fuss method of decapitation for the ones she doesn’t.
She lives in the family home, dead center in the town of Malabrava. Her parents retired to a smaller place on the outskirts, saying they needed more land for at-home burials. Her sister Gracie prefers her condo near their parents. Gracie said that the convenient burial space is a plus. Makes cleanup easier.
They left Grizzy the house. You’d expect a gothic mansion, right? This is Malabrava, where things creep in broad daylight. A home for someone called Del Monstruo should come with bats, cobwebs, a gong, a butler who only groans, and a maid with wild frizzy red hair and access to the gong.
But no.
Grizzy’s grandfather was a modernist. Way ahead of his time. He wanted to be a supervillain, and in his mind, supervillains needed sleek, sprawling homes with underground bunkers, hidden rooms, and plans for a moat.
He never made it to “super.” He was a decent villain. He refused to recycle and regularly flipped off children, but he lacked the follow-through. He couldn’t commit to one evil scheme long enough to earn the title.
Grizzy’s grandmother was the true force. A science-minded woman with dangerous ideas. She adored the modern mansion. It gave her room for her lab.
That lab became Grizzy’s favorite place in the world.
Grizzy the fixer, the inventor, the one always tinkering away in her lab is deeply loved by her family. But her mother, a devout occultist with a dramatic streak, had other hopes. She wanted Griselda to be witchy. Ideally, a Voodoo Priestess. She always said Griselda looked striking in white. Though, in the end, she would’ve settled for a kitchen witch with a solid essential oil game.
Her father, a known vampire, had his hopes too. Gracie inherited the thirst. Gracie was the one born with a taste for blood.
But not Grizzy.
Instead, she snuck into her grandmother’s lab as a child. Touched everything labeled “Do Not Touch.” Sniffed everything marked “Hazard.” Dreamed of beakers and blueprints. She ignored every warning.
At twelve, she came out to the family as a Mad Scientist.
Her parents told her they loved her. Accepted her, a little reluctantly. Gracie grinned. She had another reason to be the favorite now.
They threw a family barbecue for her official announcement. The cousins came. The uncles, the aunts, the vaguely-related lurkers. Grizzy cut a cake shaped like a beaker and declared, “I’m a Mad Scientist, like Granny.”
There was a pause.
Some awkward glances.
Then applause.
The Del Monstruos were known for monsters...being them, birthing them, bargaining with them. But Grizzy wasn’t rattled by the hesitation. She knew the truth.
What was better than being a monster?

Inventing them.




Author Info
Carol James Marshall is a storyteller who loves serving up scary stories with and sometimes adds some laughs. 

Carol writes genre-bending horror packed with comedy, paranormal twists, sci-fi, and suspense. As a bilingual, low-vision author, she uses adaptive tech and bold fonts to bring her stories to life, crafting her books in English, Spanish, or sometimes both. 

When she isn't weaving nightmares or getting lost in an audiobook, Carol works as a medical coder and biller. Her journey spans from the sunny streets of Los Angeles, California, to the vibrant culture of Mexicali, Mexico, and she now happily calls Georgia home.

The Book Junkie Reads . . . Interview with . . . Carol James Marshall . . . 

Q: How would you describe your style of writing to someone who has never

read your work?

A: Wow, that’s a difficult question for me. It’s almost like asking someone to describe themselves. When you do that, you are describing your own perception of who you are, not necessarily who you really are. 

So, I’ll answer with the word “hope.” I hope my readers will consider my work "NEW." New ideas, new concepts, and new themes. I want it to feel unpredictable, like something they have never seen or thought of before.


Q: Do you feel that writing is an ingrained process or just something that flows naturally for you?

A: I am a natural storyteller. I usually have at least three stories going on in my head, notes for 20 more books, and it never ends. I love a good story whether it’s written, on television or film, or over a cocktail with a good friend. Writing for me flows easily. I always have a story to tell.


Q: Do you take your character prep to heart? Do you nurture the growth of each character all the way through to the page?

A: The answer is yes and no. I think about my upcoming characters' lives, the way they think, and who they are in relation to the story, but it never feels like preparation. I simply mull it over while washing dirty dishes or brushing my teeth.

When I sit down to write, the story usually develops in blocks, each building on the last. The characters evolve in the same way.

I had zero plans for Gracie in MalaBrava. She simply happened, and she was so much fun to write.


Q: Do you people-watch to help with character development? Or do you build upon your characters during story creation?

A: I love people-watching, but that is not how my characters develop. I like to give each of my characters a distinct “vibe.” I use my personal experiences and overactive imagination to build upon that vibe as the story develops.


Q: Do you have a character you have been working on for a long time that still isn't quite ready, but that still excites you to work on the story?

A: Two of them: Manson and Letty. I have a vampire novel mapped out in my head. My two main characters are Manson, a clueless, average Joe who happens to cross paths one night with Letty, my sociopathic vampire. As you can imagine, nothing goes well for Manson. 

I think about those two and their intertwining stories often, even though I am currently writing a different novel.


Q: Have you found yourself bonding with any particular character(s)? If so, which one(s)?

A: Maybe not bonding, but I have my favorites. I love Ella from Ella is One of Many. Matea from my Santa Muerte series and Gracie from MalaBrava. Gracie, a vampire with ADHD, was so much fun to write.


Q: Do you have a character that you have been working on that you can't wait to put to paper?

A: A serial killer in MalaBrava, Book 2, who is not very good at what they do. It is a concept I have been working on for a while. Think of it as gallows humor they are doing their damnedest to become a serial killer. Still, they cannot get organized enough to pull it off. 



Q: Can you share your next creative project(s)? If yes, can you give a few details?

A: I’m currently halfway through writing my gothic horror novel, The Order of the Wicked. I read an autobiography about the life of a sequestered nun, and the concept of “evil nuns” eventually evolved into The Order of the Wicked. I plan to release it in the fall of 2028.

After that, I’ll begin writing MalaBrava, Book 2, because the MalaBrava series is such a good time to write. 


Q: What are some of your writing/publishing goals for this year?

A: I learned long ago not to give myself strict deadlines or put too much pressure on my writing. I have a full-time day job, so I write when I can. Since I do not earn an income from my books, I write my stories for pleasure when I have the time and feel inspired. I would like to publish two books a year, but if that does not happen, I do not stress about it.


Q: If you could have dinner/dinner party with 7 fictional characters, who would they be?

A: The Weasley’s. 


Q: If you could spend one week with 5 fictional characters, who would they be and where would you spend that time?

A: Not any particular character, but I would sign a lease to live in the world of The Other's by Anne Bishop. It's my favorite fantasy series. So cozy and wonderful.


Q: If you could go ANYWhere, money is not a concern, and spend one full year. Where would you go and what would you do with this time?

A: I am a big fan of Somebody Feed Phil on Netflix. His episode on Croatia took my breath away. I'm a water person. I love everything ocean, river, lake, stream, anything water. I would spend all my time swimming and being a mermaid.


Thank you Carol James Marshall for joining and giving a little insight to you and your process. Your work is appreciated.

Link Tree: https://lnk.bio/CJMauthor
Newsletter Signup: https://mailchi.mp/ce3ca8b02d56/cjm
Instagram: https://www.instagram.com/carol_james_marshall_/
Amazon: 
https://www.amazon.com/stores/Carol-James-Marshall/author/B01KOFSSDQ
GoodReads: https://www.goodreads.com/author/show/15652313.Carol_James_Marshall




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Saturday, July 25, 2026

BOOK BLITZ w/EXCERPT - HORROR THRILLER - ONE LEG ON EARHT by 'Pemi Aguda

One Leg on Earth
by ‘Pemi Aguda
Publication date: May 5th 2026
Genres: Adult, Horror, Occult Fiction, Thriller




BLURB

From the author of the National Book Award finalist Ghostroots, a debut novel that thrills with its eerie mix of folklore and history.

Something is haunting the pregnant women of Lagos. Across the city, they are walking into water . . . and drowning.

Twenty-three-year-old Yosoye arrives in Lagos ready to start her life. Working for a slick architectural firm, she finds a city of adventure and opportunity. Her new world is one of fancy gallery openings, glamorous friends, and all the shiny potential of the future, encapsulated in projects like Omi City, the ultra-luxury development her company is building, a symbol of the dawn of a brighter Lagos.

But Yosoye’s idyllic vision of Lagos soon begins to seem naive, and its darker, stranger layers trouble her. Something is not right about Omi City, and as construction speeds ahead, stories of strange deaths in the city’s open waters reach a fever pitch. And then, after a chance encounter, Yosoye discovers she is pregnant . . . a revelation which puts her on a collision course with an inexplicable force that is as seductive as it is deadly. A masterwork by a writer hailed as “an astonishing talent” (Lauren Groff), One Leg on Earth is an ambitious novel like no other: a coming-of-age story, an uncanny exploration of motherhood, and a chilling vision of the dark side of progress.

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EXCERPT

MIRIAM AIKI PRAYED FOR THE FRUIT OF THE WOMB for thirteen years. Thirteen years of chafed knees: blood and shredded skin staining church altars, shrine altars, her bedside rug, her mother-in-law’s living room tiles. Thirteen years begging for a miracle, for strength, for patience. Her cries were answered. At thirty-eight, her womb was unfurling its first bloody fruit.

Now, in the passenger seat of her husband’s car, she smiled at her taut six-month belly. An ugly joy stirred within her. Ugly because it sat heavy on top of her growing baby, nausea amassing saliva in her mouth. But mothers who’d hunted long for that title knew that this unpleasantness was welcome, embraced.

Miriam smoothed a hand over her lace buba. She smiled at her husband, Victor, who frowned at the standstill traffic. They were running late for his cousin’s wedding and hadn’t moved in twenty minutes. His knuckles tapped an agitated beat on the steering wheel along to soft jazz playing on the radio. Past her husband’s head, the blue BRT bus keeping them in merciful shadow advertised a “We Are Lagos” music concert. Celebrating our oneness together! Miriam turned her beaming face to her window, gap-tooth a narrow darkness in an otherwise white smile.

These shining eyes, these stretched lips, these deep dimples. The people of Third Mainland Bridge stuck in traffic with Miriam would always remember the fizzy happiness in these details.

Miriam’s bliss bubbled up, feathering her insides, shimmering around her baby, erupting from her throat in a giggle—a curious misplaced sound in that car.

Victor turned to her, startled. His hand brushed her thigh, her rounded belly.

“Are you okay?”

Miriam giggled again. Her head slid down the leather headrest, neck tilting backward for more happiness to escape, clavicle bared to her husband’s confused gaze. This frothing joy within Miriam, she wanted to warble it out, to dance through it, until she and her baby were heady with the fervor of it.

She pushed the passenger door open. Stepped out. Victor sat there, blinking in shock for what would later seem like two lifetimes. The humid air crowded in to displace cool air-conditioning. He clicked the radio off, leaned toward the open mouth of the door.

“Miriam? What are you doing?”

Miriam kicked her sandals off, flung the fuchsia-pink slingbacks behind her. One heel struck the car’s bonnet, leaving a silver chink. She wound between the bridge’s stalled vehicles: engines turned off; gears stuck in neutral. She skipped and spun and squealed. Even in the midst of that sweltering Lagos day of thumping car music and raucous engines and the truck that honked at her for dancing too close, Miriam’s squeal stood out, a siren.

Passengers lowered their half-eaten Pure Bliss wafers and leaned out of windows to watch this odd but entertaining episode. Drivers, stretching their legs in small huddles, paused their whining—about traffic and heat and wives and money and that new backache that made their worlds flush dark when they bent at the wrong angle. All necks craned toward Miriam. Hawkers hitched boxes higher and nudged each other to behold the spirited pregnant woman.

Miriam swayed, shoulders shaking with laughter at a joke nobody else could hear. Her legs kicked. Hands stretched, twirling as if being spun about. What joy! What joy!

Victor leaned on the horn. His feet hit tar, finally going after her. Had she gone mad? He yelled her name, using the tone his father wielded on his mother, demanding Miriam return to the car immediately.

But Miriam didn’t want to get back in the car. She wanted to dance, to be free, to glide forward with the happiness surging from her womb, her baby. Her husband navigated between fascinated watchers. He shouted, “Miriam! Miriam! Miriam!” But by the time he got to the railings, she had launched herself off Third Mainland Bridge, laughing and screeching into the lagoon below, belly-first, like a child jumping into the arms of a beloved parent.



 

Author Info

Pemi Aguda is a Nigerian writer known for her short stories and debut collection Ghostroots (2024). Her work often explores complex themes surrounding motherhood, identity, and the supernatural. Ghostroots, which includes previously published stories such as "Breastmilk" and "The Hollow", was a finalist for the 2024 National Book Award for Fiction and received critical acclaim for its unifying themes and narrative cohesion.

Aguda's stories have been widely recognized, earning multiple accolades, including an O'Henry Award in 2022 for "Breastmilk" and again in 2023 for "The Hollow". Additionally, "Breastmilk" was shortlisted for the 2024 Caine Prize for African Writing. Her forthcoming novel, The Suicide Mothers, which won the 2020 Deborah Rogers Foundation Award, is slated for release in 2025.

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Thursday, June 18, 2026

BOOK BLITZ - DARK FANTASY - THE WEDNESDAY BOX by Jonathan Kieran

The Wednesday Box
by Jonathan Kieran
Publication date: June 18th 2026
Genres: Dark Fantasy, Fantasy, Horror




BLURB

Some stories begin with “Once Upon a Time…”
This one begins with loneliness.

From the bestselling author of WistWood comes THE WEDNESDAY BOX, an illustrated supernatural horror novel for readers who love the haunting edge of stories like Coraline, The Thief of Always, The Graveyard Book, Neverwhere, and The Nest.

“At its heart, it’s a brilliant coming-of-age tale that isn’t afraid to get dark, showing the world through the eyes of a young girl dealing with heavy, adult-sized burdens.”

“Beneath all the strange events, this is also a story about exhaustion, poverty, protection, and the terrible compromises people make when they’re trying to survive. That emotional foundation makes the darker turns of the story hit much harder.”

May has learned to survive in a world of shrieking subway rails, soot-stained skies, and apartment hallways where silence, caution, and never asking for too much are simply facts of life.

But when a hulking stranger in a raincoat the color of broken promises begins to haunt her steps—on the train, in the tunnels, at her own door—May realizes that keeping quiet will no longer keep her safe.

Wednesday is the only day May cannot be alone.
The only night.

And when her weary mother leaves her with a new caretaker, May discovers that the tempting contents of an ancient box hold dangers far worse than anything she has ever feared

The greatest danger, however, is not what hunts her, but the impossible choice before her…
Tell the truth and risk losing the one person she cannot live without.
Or keep silent and face the darkness alone.

Because below the city, something is hunting.
And it knows her name.

“You’ll feel for May, just as I did. It’s quietly devastating in all the right ways.”

Goodreads

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PRAISE for The Wednesday Box

“I was absolutely gripped by how this story manages to be both terrifying and incredibly moving. At its heart, it’s a brilliant coming-of-age tale that isn’t afraid to get dark, showing the world through the eyes of a young girl dealing with heavy, adult-sized burdens. It feels like a fever dream you don’t want to wake up from—part mystery, part dark fairy tale—and the pacing is just perfect. It never rushes; instead, it lets the mystery coil around you until you’re completely pulled in. If you’re looking for a book that challenges you and lingers in your mind long after you finish reading, this is it.”

“From the very first page, The Wednesday Box pulls you into a world of creeping dread and unsettling wonder, masterfully balancing psychological darkness with raw emotional stakes. Thoughtful, tense, and hauntingly beautiful, this is a story whose rich atmosphere and emotional intensity will linger with you long after the final page is turned. You’ll feel for May, just as I did. It’s quietly devastating in all the right ways.”

“With The Wednesday Box, Jonathan Kieran delivers a striking dark fable that effortlessly bridges the gap between coming-of-age fiction and sophisticated adult fantasy. While the story centers on a young heroine navigating a perilous world, its core themes—confronting class divide, deep-seated neglect, and the sheer psychological weight of enduring hardship—track directly with mature, real-world anxieties. Kieran weaves a starkly beautiful tapestry of gothic atmosphere and fairy-tale danger, prioritizing emotional realism over easy genre tropes. It is a sharp, unsettling, and lyrical read that will deeply resonate with anyone drawn to high-stakes psychological tension and evocative, atmospheric storytelling.”



 

Author Bio:

Jonathan Kieran is an author and illustrator with a passion for world travel and ancient history—and an occasionally bewildered grasp of the present. He lives in a rustic house in the woodlands not far from Big Sur, California, where he awaits the future confidently with plenty of firewood, a new cat named Beezley, mercurial internet access, a magical footbridge (troll-infested and everything), and a reasonable supply of Cabernet Sauvignon. There also appears to be a significant Pinot Noir backup; viticultural shortages are not to be countenanced.

Jonathan’s interests are eclectic. He is as likely to regale you with an account of his latest misadventures in the Midi-Pyrénées as he is to ask if you happen to have any spare cookies about the house—and if so, whether you might part with five of them. Nothing piques his interest like a good old-fashioned discussion about cryptozoology, Tuscan cuisine, classical English literature, the perils of pop culture, or the harrowing details of great white shark attacks.

In addition to running up and down various mountainsides to burn off calories accrued from the wanton consumption of baked goods, Jonathan enjoys a good party with people unafraid to laugh, and he veritably lives for bedtime.

He is the author and illustrator of The Wednesday Box, WistWood and the Enchanted Heritage Chronicles, with more adventures to come.

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Sunday, June 7, 2026

BOOK BLITZ w/EXCERPT - HORROR - MIST IN THE WILLOWS (Spirit Fleet Chronicles, #1) by Lucy Linne

Mist In The Willows
Spirit Fleet Chronicles, #1
by Lucy Linne
Publication date: August 25th 2025
Genres: Adult, Gothic, Horror, Urban Fantasy




BLURB

Discharged unexpectedly from the British military at the peak of her career, Jade Palmer must find a way to rebuild her life. Haunted by strange nightmares and fragments of her own fractured memories, Jade finds herself thrust among unfriendly family and unfamiliar friends. Her only comfort is in the cobbled streets, quaint cottages and winding river paths that hold the happy echoes of her childhood.

But in the local cemetery, older than living memory, a strange mist rises among the willows in the depths of the night… and with it, a vengeful entity that seems to stalk Jade’s every footstep with terrifying purpose.

Alongside her faithful dog, Cannelloni, and wild-child sister, Leela, Jade must fight once more—braving a tangled journey through ancient supernatural lore, and the depths of her own hubris, to protect those she loves.

For the dead have truths to tell… and their retribution comes as cold as the grave.

Mist in the Willows, the first entry in the Spirit Fleet Chronicles, is a chilling and cozy gothic novel about loss, cupcakes, annoying family, mysterious steampunk strangers, and the ways in which violence may haunt us all.

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CHAPTER 1

The first time I heard the chilling whisper calling my name, it came from Grandad’s old analogue radio.

I was unpacking the five sad-looking boxes containing all my worldly belongings and didn’t pay much attention. Dad stored them in his basement, and spiders were crawling out of every corner.

When I picked up my phone to check for messages, a mega-arachnid scuttled on eight hairy legs along my fingers. It had insidiously blended in with the black case of my mobile and became invisible. Now it took up most of the screen. I dropped my phone on the coffee table and spotted its mate, the same incredible size, scampering across the floor and under the couch. At least Grandad went to bed early and didn’t see this infestation I’d brought to his cherished houseboat.

I ran from the lounge to the open plan kitchen and grabbed a glass to trap the intruders.

As I passed by, the radio on the windowsill abruptly switched to a hoarse faltering static.

The music returned as I shook the glass out of the barge door, tossing the eight-legged giant, into the grass by the river path. The other one, nowhere to be found. I regretted trying to trap and release them. I would have rather squashed them with my hiking boot. But cleaning bug goo off the floor is a task I will avoid where possible. A flamethrower would be ideal but I’m out of those since I’m back home. So, the spider got to live another day.

As I rinsed that glass to put it away, I noticed it.

Wait a minute? What’s going on with the radio?

Standing beside the little radio, where it sat since my childhood, gathering dust on the windowsill, I listened to the static.

It had a quality about it that I found almost obscene. It sounded alive, fluctuating from deep cavernous whispers to a strange whistling. I fled the kitchen when it pitched that abominable screech of steak knives against dinner plates.

The static immediately faded away, returning to Grandad’s favourite sixties rock radio station. Back in the lounge, I punched a pile of empty boxes flat to bin them. Not that I wasn’t glad the static stopped. But something about the way it had switched so fast bothered me, as if it knew I had moved away from the radio.

Moments later I returned to the kitchen. The music shifted to static in an instant. I stood next to Grandad’s ancient kettle, plugging in my coffee maker, a survivor since my student years in the dorms.

How could it be so loud and not wake up Alan?

Its pulsing tones surged, like the call of a bottomless pit, then lulled to a sinister hum at the very edge of hearing. Every time it came, I cringed, as if plunging into neck deep water with ice cubes bobbing all around me.

Before I knew it, I had crossed the room and stood with one hand on my dog’s collar.

“You don’t like it either, huh? Good boy,” I said, as Cannelloni sat back down among the window seat cushions. The static melted away behind me, the music replacing it. Cannelloni tucked his head in his paws again with a huff.

I glanced back at the old radio. Had it sounded a bit like whispers in some guttural language? Surely, I was over thinking it. It could be nothing but static.

I headed for the desk to start my Wi-Fi set up, hoping to stream a movie and chill after the gruelling day, moving in with Grandad. And most importantly, to make sure her messages would come through on a stronger signal.

I reached and patted my cargos’ pocket, the little one with the zip on my hip. It was still there: I felt the round shape of her compact mirror. The only thing I have of her, until we meet again.

I felt better. There are good things in the world, and good days ahead.

As I pulled up the lid of my laptop, in the split second before the dark screen lit up, your face flashed at me.

It’s only been happening in the last few years or so, that my reflection startles me, looking like you. I’ve always had your impossibly thick and straight, dirty blonde hair. And your bushy brows over cobalt blue eyes. But most of all, in my late thirties, I’m now your age. The way I remember you. You would be much older today but if we could somehow meet, across death and time, both aged 38, we’d look like twins. Anyway, it only lasted a fraction of a second, and then the desktop lit up and I was looking for a movie right away.

Ten minutes later, I glanced suspiciously at the radio. Nothing.

Twenty minutes later, nothing.

Halfway through an outbreak of a superbly gruesome zombie apocalypse, I still couldn’t stop thinking about the static. Was I causing it? It only happened when I neared the radio.

Run a test?

I hesitated. So many other things to worry about at this moment. Why did I even care if the songs were interrupted a few times?

Because of how freakin weird this noise sounded.

I paused the movie, resigned to my curiosity. I edged along the back of the loveseat towards the kitchen. The music staggered as I reached the counter. Just to pretend to myself I didn’t come to test the radio, I reached out and grabbed a handful of cookies from the doggie jar.

The static soared.

Sounded like a cold gust whistling savagely out of a black chasm. Then dulled to the throaty whisper of an unsettling breeze through dead leaves. That did it. I got the hell out of the kitchen.

Joining Cannelloni at the window seat, I felt an unreasonable amount of relief that the music returned on the radio. Cannelloni thought so too. He gave such a profound growl he even startled me a bit. He bared his teeth at the kitchen. Not like him at all.

“Don’t worry, just a funny noise!” I said, letting him slurp the cookies on the palm of my hand. My gaze wandered back to the spot I had been standing.

A funny noise that comes only when I’m close to the radio. But how close, exactly?

I stood up, arms crossed and edged to the back of the couch marking the end of the lounge, not quite entering the kitchen.

“Ok Cannelloni let’s see, one step. Two steps, three…”

The music faltered. I stopped moving.

I leaned back as far as I could go without shifting my feet. The music flowed. I chuckled.

Not because I wasn’t scared. More like, because I was getting too scared.

Then I leaned forward.

The music faltered.

I tried to hold my balance, bent as far as I could reach like some demented yoga teacher who forgot which warrior pose they were demonstrating. A sudden fear, out of nowhere.

Rivulets of crimson streaking dry sand. Something solid in the blood. Glistening strips of sinew. Twitching on the red mud. Not again!

The gaps in the music, for some reason, flashed images from my nightmares in my mind.

I straightened up. This wasn’t funny anymore.

I’m good at pushing the memory of the nightmares away during the day and focusing on my work and everything else I have to worry about. This bloody radio thing was getting on my nerves.

I jumped with a yelp as a sharp pinch came from behind my left knee.

“Cannelloni! What are you doing?”

The dog had bitten hard into my trouser leg and was pulling at it. As if he wanted me to leave the kitchen.

“Aren’t you clever,” I said, disentangling myself and coming to sit with him by the window seat. “It’s ok, I’m staying here, you can snooze again!” I scratched under his ears until he turned around full circle on his cushions and plopped in the comfiest spot.

At least I know. It’s about four steps into the kitchen.

That would mean I can’t reach the counter without setting off the weird.

But I was done experimenting. Hated the way the static made me feel, and what it did to my dog too.

This boy, the only good thing about this new, civilian life, was normally a big bundle of cuddles. At the moment he looked perturbed, ears twitching. Cannelloni’s natural state was passed out, belly up, and fast asleep on his giant plushie bed. Ever since I brought him here from the shelter after Easter, he acted as if Grandad ’s houseboat has always been his rightful kingdom, where he reigned supreme and absolute. Yet now he kept sitting up, fretting, scanning the room with anxious eyes. Tiny whimpers squeaking at the back of his throat. I sensed danger too. But I couldn’t understand why.

I cast my gaze around the empty room.

I felt watched.

The dark water of the Thames sparkled under the moonlit sky from every side of the semi-circular cabin. I hated the glass, U shaped wall of the main cabin, but that’s what you get when living in a wide beam Dutch barge. The lounge was basically an open balcony. Anyone could be watching me from the dark river paths on either side of the banks, and I had zero visibility at night. Meanwhile, I lived and breathed in full view, unless I went to hide in my cabin at the back of the houseboat.

I went around lowering the window blinds post-haste.

Better. Only the kitchen window remained. I hesitated. I wanted to close those blinds too, but that would get me in the vicinity of the radio.

Pressing my hand to my brow, I felt sweat droplets at the root of my hair.

I took two steps forward. I was nearing the invisible mark I’d noted mentally, on the kitchen floor.

Two steps more. The music was faltering. Maybe if I went really fast it wouldn’t happen.

I dashed to the cord hanging at the casement, leaning in, real quick, my hand reaching out to the blind. The static came loud.

Flustered, I backed into the lounge again, and the songs came back on.

I sat down onto the couch, feeling like a coward.

The radio on the sill kept singing its quiet and perpetual song.

Grandad never changes station or switches the music off. He turns the sound up when he is around, which isn’t often. He doesn’t think the kitchen is a man’s place, he only comes to fill the water can when he looks after Grandma’s flowerpots. He treasures her little terrace garden in the front of the barge. He lowers the volume when he heads for his berth to watch his shows, the music from the radio playing quietly through the days and nights in the main cabin.

I wanted to close the kitchen shades but an irrational fear of going near the radio pinned me to the spot.

“Don’t be a twat, this happens all the time. People moving around a device can mess up the signal. Just fucking go,” I thought.

I moved to the window directly and lowered the blinds to the sound of loud static. It seemed eerily similar to fast, angry whispers.

And this time I could not deny it.

The radio called my name.

Jade… JADE!

OK, I hadn’t imagined that.

I ran back to the lounge to grab Cannelloni by the collar. He growled at the radio, irritated. I led him to my berth, shutting the door. We never went near the kitchen for the rest of that night.

Quite annoying, because the Wi-Fi signal is terrible in my cabin, so I had to go stand at the door every ten minutes to check for her messages.

None came.

Seemed ungrateful to complain. Grandma’s bedroom: Hands down the biggest room I had ever called my own. Walk in wardrobe. En suite bathroom. A recliner armchair, proper Victorian style. Fancy letter writing desk, with the miniature drawers to put in useless shit like ink bottles. Good to store the USB cables I keep losing. Queen bed. Four memory foam pillows. An army of multi shaped squishy cushions on a crochet throw. Fluffy duvet and matching dog blanket for Cannelloni (that’s store bought, I got it so my dog feels like he fits in). Lush. But still, I couldn’t chill enough to finish my movie.

I kept thinking about the radio saying my name.

In the cosy safety of my berth, it all seemed ridiculous. Of course, the radio didn’t say my name.

Probably someone spoke from outside, maybe someone else called Jade. Walking past with a friend.

I pressed play in my movie for the umpteenth time, getting comfy on the bed.

Lost cause. I couldn’t pay attention. Not even when the hordes of undead swarmed down the streets towards the hapless group of survivors hiding in the rubble. I was absolutely unable to stop wondering who had called my name outside the boat, in the dark.

That voice spoke to me.

Unwelcome memories from a few of hours earlier made my teeth grind as my jaw tightened.

“You’re staying with Alan then? How you gonna get yourself a nice man if you’re living with your Grandfather?” Their old man cackles, phlegmy snarling that ended in ugly coughs, had resounded across the river. Grandad ‘s friends sailed by leisurely, at a speed easy for him to jump over from their boat on to our deck. They wiped sweaty foreheads with beefy hands and stared at me while Grandad hopped on board.

“I’m not looking for nice,” I said, and watched their confusion halt their sneers. They’d thought I’d say I’m not looking for a man. All three of them took a gulp of their cans of lager, manspreading their knees a little wider as their boat bench creaked under their weight.

“What you looking for then?”

“None of your business.”

“Don’t be a smart ass,” Grandad told me under his breath, as he waved goodbye to the six seater rental sailing on. His friends don’t own a boat. And they take up two seats each.

“You look after your Grandfather now!” one of them called back to me.

“I will.” But I won’t be doing the kind of looking after that you lot expect of me.

“Your Grandma kept the Lady Thomasine spotless!” said another, looking over his shoulder.

“She had cinnamon buns hot from the oven every morning!” called the third over the growing distance between the boats.

Which meant that Alan had already complained to them about me. I only just moved in today for fuck’s sake.

“Grandad, can you please not discuss me with your friends?” I said. All I got in return, was a scowl in the direction of his laundry basket, parked in front of the washing machine. And a loud slam of his cabin door.

As if.

“Adults wash their own clothes,” I called after him. “And the bakery in the village has excellent cinnamon buns.”

Distant calls from the river bend reached me, and more guffawing. Something along the lines of ‘get in that kitchen, woman!’

I was used to their banter devolving, from barely friendly to openly woman-bashing, in T minus half a can of lager; I didn’t reply.

“They don’t mean anything, just joking!” shouted another one of them, as I turned around to look at them. Their shoulders were shaking from laughter; they found the women in the kitchen comment hilarious.

“Watch out for my high school mate Caden at the Lock today,” I called back.

“Why, you gonna marry the new Lock keeper?”

“No. His wife’s with the Port of London Authority, she has the power to breathalyse those suspected of boating under the influence.” I grinned as they choked on their snorts. “Have a nice evening now.” As they glowered wordlessly at me, I slammed the deck door behind me.

I generally never met Grandad’s friends, apart from on their river pub crawl weekends, when they picked him up and dropped him off. It’s an aspect of life back home, that I’m not looking forward to: seeing the three bigots Alan calls my ‘uncles’. Since I was a girl, they spent every moment of our brief weekly meetings cracking jokes at me, because apparently, I’m doing girlhood wrong.

I’m great at fixing the plumbing and maintaining the generator around the boat, every time I visited. Who cares if I don’t know how to operate the oven; when shit kept breaking after Alan tried to repair them three and four times over, Grandma called me; and I got the job done. Grandad hated it. Called me an odd ball ever since I was young. When I grew up, he and his friends took the piss every time I pulled out my toolbox. Which, incidentally, is bigger than any of theirs.

So, it had to be them, they probably came for a walk down the river path, calling my name outside the boat in the night. Stupid of me to buy it.

I turned to sleep, a tight knot in my stomach. Grandad’s friends are arseholes.

Not the best first night back home.

But I guess this is not really home. Just where I stay for now.

Cannelloni’s soft fur felt warm against my side, as he plopped down and curled up with a happy blink.

“Our first real night together, huh? I’m so glad to have you, boy,” I said, throwing an arm around him. The way he acted towards me with complete trust, as if we’d known each other out whole lives; it was amazing.

But as the dog fell fast asleep, I stayed wide awake in the dark. So, you see, Mum, it’s not been fun moving in with Grandad.

***

Jade paused and took a sip from her beer bottle. Her short ponytail waved in the breeze and brushed against the tombstone. The sun hung heavy on the horizon. Darkness draped more than half the graveyard. The thousand-year-old church, nestled among the graves and willow trees, cast a long and wide shadow over the grounds. The gust that blew from those darker tombs under its shadow, brought a chill to where Jade sat. She hugged her knees and shivered.

The golden disc of the sun vanished behind the treetops. As the world darkened around her and the evening birdsong gave away to silence, her blue eyes were vague, lost in thought.

The screen of her phone flashed, and she snatched it up. She looked at the message, but it wasn’t the one she wanted. She rolled her eyes.

“Leela won’t quit,” she muttered and threw the phone on the grass beside her again.

She turned to the grave and looked at the violin carved there. “Only thing I’m glad about is getting to chat with you whenever I like, now, Mum. I missed this when I had to be away all the time. But the shitty thing is I’ve never had a real, grownup civilian job in my life. I need one, to afford a place of my own. Clearing Grandad’s friends’ laptops from viruses is not going to get me a deposit for a flat.”

Taking another sip of her beer, she gazed at the tall-stemmed glass that stood, untouched, at the step of the gravestone, full to the brim with red wine.

“Sorry for the cheap bubbly, Mum, I can’t afford your posh vino at the moment. I’ll bring you better soon. Everything’s gone to hell right now. I never planned to retire from the Corps, but those nightmares! They just fucked everything up. Got a diagnonsense now. No more tours for me. And typical Dad, he refused to let me stay with them. What a great way to welcome me home at the airport! At least he said he will pay for therapy to sort out the nightmares. But only because I’ll never hold down a job if I can’t sleep through the night. Not that he cares, other than making sure I’ll never again ask him to stay in my childhood bedroom. She’s turned it into a jewellery crafts studio.” Jade rolled her eyes and chuckled. “I honestly don’t mind living on the boat. Really. Easier to get here from the mooring on my bike. Just hope that weird stuff with the radio will stop so I can get some work done and get some money saved. To move out as soon as possible.”

She finished her beer in one last sip. Blond locks had come loose from her ponytail and fallen over her face as she put her bottle away in her backpack. The tips of her hair were sun-bleached to almost white by nearly two decades in the desert sun; in contrast to her once fair skin, now tanned to a deep bronze.

Movement among the distant graves made her look up. Someone had crossed the cemetery gates in the twilight. Jade instinctively hid behind her mother’s tombstone and watched him follow the winding path among the tombs.

“That’s a bit late for visiting this place,” she muttered. She waited to see which grave he would visit, ready to make a mental note of its location and check the tombstone later on. He looked young, even hunched as he was, with his face in the shadows; his gait was light and his pace swift. Jade guessed someone that age was probably not here for a partner; more likely, like herself, for his mum or dad…

Her curiosity slowly turned into a frown of surprise. He’d kept going. He crossed the path into the grove of the willows. And still he walked on.

“Why that way, that side is the old burial ground.” She crouched deeper and leaned to peer from the other side of her mother’s tombstone. He crossed to the pitch-black darkness at the back of the old church. No matter how hard she tried, she couldn’t see any details of his face or clothing; it was too dark on that side. The ancient burial ground was off the path and the light of the lampposts didn’t reach it. Only the dim pearly starlight granted some shapes to the vista of mossy headstones crumbling there. No one had been buried there in the last two hundred years; the latest dates on those stones were in the eighteen hundreds. No fresh flower bouquets were left on those graves, and moss grew on the stone unchecked, deepening the cracks and eating away at the skull symbols etched there. No one ever cleared away the ivy growing over those names.

Why would anyone go there?

A clink of glass alerted her that she had almost knocked over the wine sitting at the front of the tombstone. Jade lost all interest in the stranger.

“Sorry Mum.” Making sure the wine was safe, Jade picked up her phone once again.

“No new messages.”

She sighed.

“I keep re-reading the old messages: No dates yet, but everything is short notice. People get told to pack at noon and fly out before sunset. It could happen any minute. I know it will be my turn soon. Ami wrote that three days ago. I replied: I miss you. I can’t believe it’s taking so long. It looks like chaos over there, it’s on the news every day. Are you ok. One day later, without getting a reply, I texted again: I haven’t heard your actual voice in four weeks. I can’t stand it.” She paused.

“That text was so embarrassing,” Jade muttered. “Throwing my own pity party while I’m back home, and meanwhile she is in the desert, her deployment extended and she’s dealing with the madness of the evacuation. I wish I had deleted it.” She bit her lip.

“Thirty-two hours later, came a reply: I know, I miss you too. Don’t worry about me, I’m fine. I just never imagined anything like this. How are you? How is Cannelloni? Is he settling in? Happy to have a new family?”

A chuckle. Then Jade got serious again looking at her screen.

“That’s the last I’ve heard from her. I replied: Cannelloni ‘s the best! He’s with Grandad for a few weeks already, I dropped him off first. You’d think he’s been living on the boat all his life! Grandad sent me photos. I wrote this on the last days of packing back on the base,” Jade murmured wistfully. “That dog is so cute I’m actually looking forward to moving day so I can see him. I guess your plan worked. I’m not 100% devastated to be leaving. There’s this teeny, tiny part of me that can’t help being happy. So damn happy about a stupid dog.”

Jade sighed.

“There’s been no reply since.” She fidgeted with the phone in her hands. “I’ve been sending her photos of Cannelloni nonstop since I arrived at the boat, but they haven’t been delivered. I wish I could tell her how awesome he is! I was worried he’d have forgotten me over the few weeks I had to leave him with Grandad and go back to base to pack and check out of the accommodation. But he remembered me right away! Fell in my arms like we are best friends. Maybe he’ll always know I’m the human who came and took him out of the dog charity, I guess. Maybe that’s why he likes me so well. I’m so glad I got him, Mum. These feel like the worst days of my life and yet he makes me smile all the time. Ami was so right telling me to get a dog.”

The night chill made her shudder.

“I think I’ll head home, Mum. Love you always.” She picked up the glass and poured the wine slowly on the grass covering the grave. She finished the silent goodbye by brushing a kiss on her own fingertips and pressing them for a heartbeat on the stone, where the name Evelyn could just be discerned carved in silver against the darkness.

“See you soon, Mum.”

Jade stood.

“Hang on, hang on. Where the hell did he go?”

She was alone in the cemetery. The stranger was no longer among the Celtic crosses and gothic inscriptions of the ancient tombs, nor had he come back down the path.

“There’s nowhere to go from that side,” Jade said, puzzled. She scanned the ivy-covered wall surrounding the churchyard. It was too tall to climb over. And yet the man had somehow managed to get out.

“Ok Mum, I think next time I’ll bring a ginger beer. Clearly, alcohol doesn’t go well with late evening chats in the cemetery.”

She scanned the darkness one last time.

The only thing moving where the stranger had been was a veil of pearly white mist, flowing over the grass like wisps of coiling tongues licking the gravestones.

She shrugged.

“Whatever. Bye, Mum.”

She walked briskly down the solitary path and through the cemetery gates, where her bike stood tied to a railing. Just like Jade’s trainers and backpack, the bike was well used, but pristinely clean. She welcomed the sounds of laughter and clinking cutlery that came from the garden of the village pub down the road. It was always too quiet inside the cemetery, once you crossed through those gates.

She’d often wondered how the ancient stone wall around the churchyard blocked all auditory evidence of life—no voices at all, even though the riverside path was often busy with couples or families deep in conversation as they strolled by the Thames. No crunching of footfalls, no dogs barking, no bubbling cavitation of boats zooming past, no music, no clicking of bicycles’ wheels—but the burble and swoosh of the river was ever present. It made the cemetery feel like an isolated world of its own.

Like it somehow cancelled out all living sound.


 

Author Info

Doodler. Living in a perpetual state of Halloween. Fueled by chocolate. Boxer. Unapologetic introvert. Adopted by three cats and a cat-sized dog. Purple everything. Psychology student. Goth. Can be bribed with artsy, hard cover notebooks. Ghost friendly. Will be summoned by freshly brewed coffee. Suspiciously familiar with Greco-Roman mythology, and several dead languages commonly used for demon summoning. Wall-frames maps. Devout observer of cupcake o’clock. Feminist Motto: Skulls, Bats and Witches’ Hats. Spinning while audiobooking. All you need is fluffy socks and a pint of nice-cream. Frequently channels Disney Villains. Names her house spiders. Owner of a pet GAMER, whom she’s kept in his man cave, on a diet of pizza and horror movies, for well over two decades.

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