BLURB
Midwife. Halloween. A Pennsylvania hill town. A ghost with an agenda. A historian with patient eyes.
Jules Lockwood, nurse-midwife and family nurse practitioner, wants two years of loan forgiveness and a one-way ticket to Australia. Her obstacle: a town that keeps finding reasons to need her.
Eli Matthews, Blue Spruce Hills town historian, is the kind of man who came back when it mattered and stayed. He brings coffee every morning without being asked.
Agnes Bell, midwife, 1856 to 1931, has been waiting in Blue Spruce Hills since her death for the right pair of hands to pass her work to. She has found them. She is not subtle about it.
On Halloween night, when the veil between past and present is at its thinnest, everything Jules came to Blue Spruce Hills to avoid arrives at once.
This Is Halloween delivers the satisfaction of a woman choosing herself and her work on her own terms, a slow-burn romance that earns every moment, and a ghost story that will make you wish you could have known Agnes Bell.
• small town romance
• ghost mentor
• found community
• slow burn
• woman finding home
• past and present collide
• reluctant to stay
• Halloween setting
• professional woman romance
• haunted by the past (literal)
• second chance at belongingHeat level: closed door
Series: Blue Spruce Hills, Book 1 — standalone, complete story, no cliffhanger
POV: third person limited, Jules
Tense: past
Setting: small Pennsylvania town, October through May
Comp titles: The House in the Cerulean Sea; Beach Read; A Discovery of Witches
Content notes: pregnancy and birth depicted (clinical, not graphic); brief mention of historical pregnancy loss (off-page); deployment/absent spouse (minor character)
EXCERPT
Juliet “Jules” Lockwood had sworn exactly six times since leaving the highway and crossing the Blue Spruce Hills town line. All six had been silent. All six had been necessary.
She pulled her Subaru into the gravel lot beside the Blue Spruce Hills Community Clinic and sat there longer than necessary, hands wrapped around the steering wheel like the car might attempt escape without her. Outside, the October sky was an intense blue with a few white clouds scudding across it. A carved pumpkin grinned from the clinic’s front step. Orange lights shaped like leaves were looped around the porch railing. Just up the street, a plastic skeleton swung from a telephone pole, rotating haphazardly in the wind.
Jules stared at the skeleton. The skeleton appeared to stare back.
She opened the car door, stepped out onto the gravel, closed her eyes, and took a deep inhale. Wood smoke and baked goods, harvest-sweet with cinnamon and nutmeg. It was, Jules thought grimly, aggressively charming. She took a step and nearly collided with a man holding a cardboard tray of coffee.
“Oh! Sorry!” he said, immediately steadying both the tray and her elbow with equal care. He was tall and laid back, with dark hair that the wind had done something unrequested to and kind brown eyes, soft and patient, the sort of eyes that suggested the person behind them listened when you talked. He wore a canvas jacket the color of cedar bark and was smiling with the easy confidence of someone who had nowhere to be and was fine with that. “You must be Jules.”
She froze. This was… unfortunate. Because those eyes were going to be a problem. She recognized his type immediately, the way one would recognize a load-bearing wall, structural and quiet, that the whole room organizes itself around without anyone quite noticing. Those eyes reflected the sort of steadiness that belonged to men who stayed. She had believed that about someone once. Believed it comprehensively and inconveniently, and at considerable personal expense. Never again.
“I’m Eli Matthews,” he said, and held out the coffee tray. “Town historian and unofficial town greeter. I brought options. Decaf, regular, and one with oat milk, because the clinic called ahead and…” he paused, reconsidering his own sentence, “okay, I asked Margaret at the post office, who asked Clara at the bakery, who said she had heard that you’d mentioned oat milk to someone at the gas station in Lehighton.”
Jules stared at the tray. “That’s a significant intelligence operation for a cup of coffee.”
He smiled, a little sheepishly. “Small town. We have patterns.” He glanced at the pumpkin on the porch. “Also, it’s October. We take hospitality seriously in October.”
She reached for the oat milk coffee. Behind her, someone cleared their throat very distinctly — the throat-clearing of someone who had been waiting a respectable amount of time and was now done waiting. Jules’s hand tightened around the cup.
She recognized that sound. She knew it the way she knew a change in barometric pressure, in her teeth, at the base of her skull, in the specific cold that moved along her spine when something was present that had no business being present.
Absolutely not. I am not doing ghosts again.
She turned slowly.
Author Info
Award-winning feminist speculative fiction author Sarah Branson spent close to thirty years as a midwife before turning to fiction, writing tales of action, adventure, revenge, and romance rooted in the strength and resiliency of the human spirit. Her New Earth universe imagines a future where diversity of identity is simply the texture of life, with honors including the 2022 Kindle Book Award for science fiction, the 2025 Wishing Shelf Book Award Gold Medal for A Pirates' Pact, and a Foreword Indie Award Honorable Mention for For the Love of Glitter. Her two newest releases expand beyond New Earth: This Is Halloween, a cozy women's fiction novella in the Blue Spruce Hills series (September 17, 2026), and Life Ends, Love Remains: A Revolutionary Ghost Story, a literary paranormal novel set in Ridgefield, Connecticut (early October 2026). Sarah lives with her husband in Connecticut.
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