TOUR Audio - FANTASY - TO NEVER HEAR THE SONG (Wing Cycle, #2) by E.G. Stone Narrator Anne Marie Lewis

 

TO NEVER HEAR THE SONG
The Wing Cycle, #2
by E.G. Stone
Narrator: Anne Marie Lewis
Length: 11 hours 31 minutes
Released: February 4th 2022
Producer: Audiobook Empire
Publisher: Tarney Brae Creative Endeavours
Genre: Fantasy

 The Book Junkie Reads . . . Review of . . . THE ONE WHO COULD NOT FLY (Wing Cycle, #1) . . .  Ravenna is back in her home land, Shinalea. She is not the only character that captures your attention. The variety of characters make this one well worth picking up after the first. I must stress the importance of having explored book one of this series before moving on to this one. Ravenna was no longer the young isolated sylph. She was different. She had been out in the world and was back home to make a difference. Try to give her people a chance. She find change when she returns home. 

With this second installment we see more of the other characters and meet new ones. With the knowledge that the myths are very much real and coming for her people. She hopes to make a change to the days of old or at least spark something. She has a tough battle she will not stand alone. Or will she? The home she loves will now have to overcome the world she got lost in for a time. She will find that her home will now hold dangers, find opportunities, not get lost in the confusion, take on the biggest adventure, and sacrifice more. 

Anne Marie Lewis provided me with another story from E. G. Stone that captured her words with the variation of the various characters. With her cadence, pitch, tone, intonation, and variation the character each gained their own uniqueness. I was able to visualize this world with more detail and ahhh. 

I received this audiobook as part of my participation in a blog tour with Audiobookworm Promotions. The tour is being sponsored by Audiobook Empire. The gifting of this audiobook did not affect my opinion of it.

War is inevitable. But who will win and who will fall depends on what happens next... 

Ravenna has returned to her people in order to save them from Davorin's impending attack. But what she did not understand is that training a society of peaceful sylphs into the warrior Stormbringers from their distant past will ask more of her than she knew. She must make amends with her sister, the new Chosen Queen. She must play games of politics and tactics. And she must prove her worth to a people that never wanted her. 

Miska set out to find Ravenna and beg her to help him save his people from Davorin. Instead, he ended up in the Iron Mountains facing a legend even older than the sylphs: a dragon. But when the dragon's only offer of assistance is to help Miska train, he must learn to master himself in an unfamiliar place before he can help his people. The only problem is, the dragon is not the only legend hiding in the mountains. 

Lenore has promised to wed Davorin in order to spare her people. Trapped and useless in her own Red Palace, she must discover precisely how far she'll go to uphold a promise. And, who among her people she can truly trust. 

To Never Hear the Song is the continuation of The Wing Cycle, an epic fantasy that asks whether who we are determines our struggles, or if the struggles determine who we are. 

 

E.G. Stone is an independent author who has been writing, creating and causing vast amounts of trouble since the age of six. Since then, E.G. has improved rather a lot in both the trouble-causing and writing and now spends her time writing fantasy and science fiction. When not writing, she is off musing about the workings of languages, both real and created, or drawing and sewing. E.G. reads voraciously, perhaps to the point of slight-insanity. Weird, nerdy, perhaps a little crazy, she is having a grand old time writing, reading, reviewing, interviewing, and, naturally, continuing her endeavours in causing trouble. Happy reading… and writing.

Pittsburgh native Anne Marie Lewis has enjoyed a richly varied and long career in the performing arts. She has performed across the globe from Carnegie Hall to Boise to Little Rock to Michigan’s Upper Peninsula as well as in Canada, England and Scotland. With the 200th anniversary of the publication of Jane Austen’s final novel, she performs Persuasion: A Musical Adaptation at Jane Austen festivals on Vancouver Island, British Columbia and in Bath, England in 2018. Chicago area credits: Chicago Shakespeare Theatre (Emma), Music Theater Works (Peter Pan, My Fair Lady, One Night in Venice, The Red Mill) Remy Bumppo Theatre Company (Northanger Abbey, The Skin of Our Teeth), Northbrook Theatre (Fancy Nancy, Elephant and Piggie: We are in a Play), Oil Lamp Theater (Love, Loss, and What I Wore), Refuge Theatre Project (bare), Lifeline Theatre (Midnight Cowboy), Chamber Opera Chicago (Persuasion, Pride and Prejudice, The Sound of Music, Hansel and Gretel), Spartan Theatre (Jake’s Women), Jedlicka Performing Arts Center (Moon over Buffalo), Metropolis Performing Arts Center (The Diary of Anne Frank), Fury Theatre (The Merry Wives of Windsor), Provision Theater (Christmas on the Air), 16th Street Theatre (Graveyard of Empires), Chicago Opera Theatre (Shining Brow, Don Giovanni), and Idle Muse Theatre Company (The Scullery Maid). Regional credits include Lyric Opera Cleveland (Little Women), Pine Mountain Music Festival (Le nozze di Figaro), Muddy River Opera (Die Fledermaus), Quad Cities Opera (La bohème), as well as numerous appearances with regional symphony orchestras. International credits: Edinburgh Festival Fringe, the Buxton Fringe Festival, Camden Fringe Festival and Jane Austen 200 in Winchester, UK. She is also a sought-after audiobook narrator, a genre she loves dearly as she gets to be producer, director, technical crew and all the characters! Anne Marie is a proud graduate of the University of Notre Dame and Northwestern University and an even prouder mother to her four young men.

 

At Audiobook Empire, audio reigns supreme, narrators are hailed as heroes, and headphones are worn with pride. Marrying pomp and circumstance with quality you can count on, Audiobook Empire is a full-service production house that produces and promotes audiobooks with gusto. Give your audiobook the imperial treatment by producing it with Audiobook Empire.

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TOUR Audio - FANTASY - THE ONE WHO COULD NOT FLY (Wing Cycle, #1) by E.G. Stone Narrator Anne Marie Lewis

 

THE ONE WHO COULD NOT FLY
The Wing Cycle, #1
by E.G. Stone
Narrator: Anne Marie Lewis
Length: 11 hours 19 minutes
Released: August 24th 2021
Producer: Audiobook Empire
Publisher: Tarney Brae Creative Endeavours
Genre: Fantasy

 The Book Junkie Reads . . . Review of . . . THE ONE WHO COULD NOT FLY (Wing Cycle, #1) . . . Where do I start beside this was a new fascinating world with vivid imagery. Simple to say that humans are the myths in this fantastic fantasy. Shinalea was an isolated island, until it wasn't. Ravenna was just a young isolated sylph. She was different which caused the isolation and her freedom found they were not alone on the once isolated island. The myths she thought are not myths after all. The world she felt lost in may now be lost to her forever. The world she comes to be in holds many dangers, opportunities, confusions, and more. 

I would say this was a story that could open the eyes of someone lost, confused about the difference of the world around them. Open their eyes to the struggles of others my just be similar to their own. 

Anne Marie Lewis, it was nice to meet you through your voice. I felt captured by the words and the cadence of the narrators voice with the pitch, tone, intonation, and variation. I was able to visualize this world. 

I received this audiobook as part of my participation in a blog tour with Audiobookworm Promotions. The tour is being sponsored by Audiobook Empire. The gifting of this audiobook did not affect my opinion of it.

For generations, sylphs have lived isolated on the island of Shinalea, forgotten by the world. But they, too, have forgotten their past. Until it rears its head and changes the very foundations of their world.... 

Ravenna has grown up isolated and ostracised amongst the sylphs for her small wing size and her unusual colouring. She lives with the Intellecti, a collection of sylphs dedicated to learning, to facts, to history, to thought. But she feels most free when she runs through the trees of her beloved home. Until, that is, she comes across beings that should have been myth. Humans. 

Captured, Ravenna is taken from her home and into the vastness of the desert mainland. She is sold into slavery and thrown into a world that proves everything she knew about the humans right: They are nothing more than the cruel, bloodthirsty beings that filled sylph myths with horror. Until, that is, Ravenna makes a single mistake. She falls. 

Suddenly, the world is not quite what she knew. Ravenna is thrust into this world of humans and their schemings for power, their political machinations, their hopes, their dreams. 

Ravenna must decide whether humans are the nightmares of her people’s legends or just beings like her, finding their place in an unexpected world. And she must decide whether to save her world, or to destroy it. 

The One Who Could Not Fly is an exciting fantasy adventure that asks questions of family, of independence, and of what it really means to fly.

 

E.G. Stone is an independent author who has been writing, creating and causing vast amounts of trouble since the age of six. Since then, E.G. has improved rather a lot in both the trouble-causing and writing and now spends her time writing fantasy and science fiction. When not writing, she is off musing about the workings of languages, both real and created, or drawing and sewing. E.G. reads voraciously, perhaps to the point of slight-insanity. Weird, nerdy, perhaps a little crazy, she is having a grand old time writing, reading, reviewing, interviewing, and, naturally, continuing her endeavours in causing trouble. Happy reading… and writing.

Pittsburgh native Anne Marie Lewis has enjoyed a richly varied and long career in the performing arts. She has performed across the globe from Carnegie Hall to Boise to Little Rock to Michigan’s Upper Peninsula as well as in Canada, England and Scotland. With the 200th anniversary of the publication of Jane Austen’s final novel, she performs Persuasion: A Musical Adaptation at Jane Austen festivals on Vancouver Island, British Columbia and in Bath, England in 2018. Chicago area credits: Chicago Shakespeare Theatre (Emma), Music Theater Works (Peter Pan, My Fair Lady, One Night in Venice, The Red Mill) Remy Bumppo Theatre Company (Northanger Abbey, The Skin of Our Teeth), Northbrook Theatre (Fancy Nancy, Elephant and Piggie: We are in a Play), Oil Lamp Theater (Love, Loss, and What I Wore), Refuge Theatre Project (bare), Lifeline Theatre (Midnight Cowboy), Chamber Opera Chicago (Persuasion, Pride and Prejudice, The Sound of Music, Hansel and Gretel), Spartan Theatre (Jake’s Women), Jedlicka Performing Arts Center (Moon over Buffalo), Metropolis Performing Arts Center (The Diary of Anne Frank), Fury Theatre (The Merry Wives of Windsor), Provision Theater (Christmas on the Air), 16th Street Theatre (Graveyard of Empires), Chicago Opera Theatre (Shining Brow, Don Giovanni), and Idle Muse Theatre Company (The Scullery Maid). Regional credits include Lyric Opera Cleveland (Little Women), Pine Mountain Music Festival (Le nozze di Figaro), Muddy River Opera (Die Fledermaus), Quad Cities Opera (La bohème), as well as numerous appearances with regional symphony orchestras. International credits: Edinburgh Festival Fringe, the Buxton Fringe Festival, Camden Fringe Festival and Jane Austen 200 in Winchester, UK. She is also a sought-after audiobook narrator, a genre she loves dearly as she gets to be producer, director, technical crew and all the characters! Anne Marie is a proud graduate of the University of Notre Dame and Northwestern University and an even prouder mother to her four young men.

 

At Audiobook Empire, audio reigns supreme, narrators are hailed as heroes, and headphones are worn with pride. Marrying pomp and circumstance with quality you can count on, Audiobook Empire is a full-service production house that produces and promotes audiobooks with gusto. Give your audiobook the imperial treatment by producing it with Audiobook Empire.

Website⎮Twitter⎮Facebook⎮Instagram

View the full tour schedule here!

Plugging you into the audio community since 2016.
Sign up as a tour host here.
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TOUR Audio - YA FANTASY - WinterDream by Chantal Gadoury Narrator: Anne Marie Lewis

WINTERDREAM

by Chantal Gadoury

Narrator: Anne Marie Lewis

Length: 10 hours 22 minutes
Released: December 31st 2019
Publisher: The Parliament House
Genre: Young Adult Fantasy

 The Book Junkie Reads . . . Review of . . . WINTERDREAM  . . . Nutcracker in a different way. I was able to get lost in a world that I knew, but I didn't know. Nutcracker for me has been a tradition for me and the daughters of my heart. We would dress up and go experience a night of fantasy, magic, and dreams of hope, love, adventure.

I very much enjoyed WinterDream. It was fantastic seeing a classic through the eyes of this single character. The world was fanciful. The strength of the lead. The depths of the world created/re-created.

It was just something fanciful,magical, captivating about Anne Marie Lewis' voice. She brought you in and kept you to the end of the audio. The audio was clean, clear, and quality.

I received this audiobook as part of my participation in a blog tour with Audiobookworm Promotions. The tour is being sponsored by Chantal Gadoury. The gifting of this audiobook did not affect my opinion of it. 



This Christmas Eve, no creature was stirring, except, maybe, a mouse. At long last, can true love break the Nutcracker’s curse?

For Clara Stahlbaum, this Christmas means the end of her youth. A daughter of the aristocracy, Clara is expected to give up her dreams of adventures and the extraordinary for more normal days as the wife of a cruel viscount.

But when magical Uncle Drosselmeyer returns with his wondrous, dancing contraptions and one special gift for Clara, she is beckoned to the land of Winter Dream, where she is thrust into the greatest adventure of her wildest dreams.

But will she be able to break the Nutcracker's curse? Uncle Drosselmeyer’s apprentice Anton is handsome as he is mysterious. But what is it about him Clara finds so alluring?


Winter Dream is a phenomenal retelling of The Nutcracker from the eyes of Clara Stahlbaum with all the magic of the Holiday season. If you loved S. Jae-Jones’ Wintersong, you’ll fall in love with this stunning tale of love, war, redemption, and Christmas magic. Listen to it now!

Amazon Bestselling Author, Chantal Gadoury, is a 2011 graduate from Susquehanna University with a Bachelor’s Degree in Creative Writing. Since graduation, she has published The Songs in Our Hearts, and The Songs We Remember, with 48Fourteen Publishing. Allerleirauh, Between the Sea and Stars, Blinding Night and WinterDream with the Parliament House Press. Chantal first started writing stories at the age of seven and continues with that love of writing today. For Chantal, writing novels has become a lifelong dream come true! When she’s not typing away at her next project, she enjoys painting, drinking lots of Iced Coffee, and watching Disney Classics. Chantal lives in Muncy, Pennsylvania with her Mom, sister and furry-‘brother’ Taran.

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Q&A with Author Chantal Gadoury

• Was a possible audiobook recording something you were conscious of while writing?:
  • At the time of writing “WinterDream,” I think I probably hoped that one day I’d hear it read aloud. The idea of someone your writing to the world is both exciting and slightly terrifying too!
• How did you select your narrator?
  • Anne actually was the narrator to “Hook and Crown,” and I had really loved the way she told the story. When she auditioned for “WinterDream,” I was just captivated by the way she read Clara and brought her to life. I knew I wanted her to read “WinterDream” the moment I heard it.
• Were there any real life inspirations behind your writing?
  • There’s always something real behind my writing. Even in this fantastical Christmas story, with magic and Nutcrackers - there are elements of Clara that are entirely me. The story behind the reason why I wrote this novel, is that as a young child I used to love to perform to these songs. I’d been a little ballerina, dancing around the living room with my Mom’s nutcrackers. She used to take me to see this show every Christmas, and it was a story that continued to live in my heart as I grew older.
• Are you an audiobook listener? What about the audiobook format appeals to you?:
  • I am an audiobook listener! I love just having someone read to me, when I might not have the time to read something myself. It’s a great thing to have on long car rides, or when you can’t sleep (but don’t want to chance having a book fall flat on your face.)
• Is there a particular part of this story that you feel is more resonating in the audiobook performance than in the book format?:  
  • I think the intimate moment of The Nutcracker and Clara sitting in front of the fire in Mother Ginger’s Inn. They’re talking to each other about their lives, and the curse and themselves, and it really struck me as I listened to it. It felt so much deeper; I could feel Clara really starting to allow herself to trust him. And I think the ending was really resonating - I can’t say why without giving it away. So you’ll have to take a leap of faith, and take the journey with me!
• If you had the power to time travel, would you use it?
  • Oh boy, would I? Yes! There are so many places I’d love to time travel to.
• How did you celebrate after finishing this novel?:
  • Sometimes with a glass of wine, or an Iced Coffee -- sometimes a movie that I’ve been wanting to watch. It’s strange, but when I finish a novel, I don’t really celebrate. I suddenly just feel really sad, or empty. It’s never easy letting go of a world you’ve just spent so much time in. I remember it being hard to let go of the world of WinterDream when it was over.
• What's your favorite:

• • Food - Eggrolls, and Burrito Bowls from Chipotle.
  • Song - Right now, my favorite song is “Lover” by Taylor Swift or “Forever” by Lewis Capaldi
  • Book - It’s a tie between “A Court of Thorns and Roses,” “The Beholder” and “A House of Salt and Sorrow.”
  • Television show - Outlander.
  • Movie - Ever After
  • Band - Maroon 5, Civil Wars, BTS
  • Sports team - I honestly don’t have one.
  • City - Hands down, my favorite city will always be Denver, Colorado
• Are any of those things referenced in appearance in your work?
  • Not in “WinterDream,” but I have mentioned or referenced a few of my favorite things in my other books!
• What bits of advice would you give to aspiring authors?:
  • My advice is usually always the same. To never give up. To always write! But to also approach the idea of publishing a bit more realistically. It’s hard and rare to get a huge book deal that provides the sort of compensation that one could live off of. Don’t go into writing for money - write to share your message. It’s wholly yours, which makes it unique. Build a good group of people to share your work, and have fun!

Singer and actor Anne Marie Lewis has enjoyed a richly varied and long career in the performing arts. She has performed across the globe from Carnegie Hall to Boise to Little Rock to Michigan’s Upper Peninsula as well as in Canada, England and Scotland. 

Chicago area credits: My Fair Lady, Peter Pan, Into the Woods (Music Theater Works); 1776 (Porchlight Music Theater); Midnight Cowboy (Lifeline Theatre); Northanger Abbey, The Skin of Our Teeth (Remy Bumppo); Love, Loss and What I Wore (Oil Lamp Theater); bare (RefugeTheatre Project); Graveyard of Empires (16th Street Theater); Jake’s Women (Spartan Theatre); The Scullery Maid (Idle Muse Theatre); Moon Over Buffalo (Jedlicka Performing Arts Center); The Diary of Anne Frank (Metropolis Performing Arts Center); The Merry Wives of Windsor (Fury Theatre); Fancy Nancy, Elephant and Piggie (Northbrook Theater); Little Red Riding Hood, Camp Wonderland (Theatre at the Center), Don Giovanni, Shining Brow (Chicago Opera Theatre); Pride and Prejudice, The Sound of Music, Hansel and Gretel, Persuasion, Cosi fan tutte (Chamber Opera Chicago); Gianni Schicchi (DuPage Opera); La boheme, Die Fledermaus, Don Pasquale, Don Giovanni, Carmen (Opera Studio Highland Park). 

Regional credits: Die Fledermaus, Le nozze di Figaro (Pine Mountain Music Festival), Little Women (Lyric Opera Cleveland), La boheme (Quad Cities Opera, Arkansas Symphony, Battle Creek Symphony); Mozart Requiem, Schubert Mass in G (Carnegie Hall). 

International credits: Persuasion (Edinburgh Fringe Festival, Camden Fringe Festival, Buxton Fringe Festival, Victoria, BC). Anne Marie, a Pittsburgh native, is a proud graduate of the University of Notre Dame and Northwestern University. She maintains a private voice studio and has recently entered the wonderful world of audiobook narration and production, with fifteen titles to her credit.

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by Chantal Gadoury

When writing “WinterDream,” - a retelling of the Nutcracker, there were a lot of things that inspired me to create the world and the characters! I’ll give you a glimpse into what helped bring “WinterDream” to life!

1. The Nutcracker Ballet: Of course when writing about the Nutcracker, one would be inspired by the ballet, first commissioned in 1891. It’s been a part of our holiday traditions for decades, and it’s a story that many of us have heard, know, and love. Without the story of Clara (or Marie) and her Nutcracker, “WinterDream” never would have existed!
2. The Nutcracker Music: I remember as a little girl, I used to dance around my living room as I listened to “The Nutcracker” ballet. There was something always so whimsical and magical about the music, and the love for the classical score traveled with me as I grew older. The song that speaks to me the most, and what started the idea of “WinterDream” was actually: The Nutcracker, Op. 71, Act 2: No. 14 Pas de Deux. When you hear this song, you’re hearing the entire novel in about 5 minutes.
3. The Nutcracker in the Movies: I might be dating myself a little, but back in 1990 there was an Animated feature of this holiday tale, entitled - “The Nutcracker Prince.” As a child, I remember seeing it on the Disney channel, and I fell in love with the Prince, with Clara - and their magical dancing scene. It remained in my memory for years - and was one of the stemming pieces in which inspired “WinterDream,” - and all the characters, including Uncle Drosselmeyer and the Mouse King. In 1993, Warner Brothers released a version of George Balanchine’s “The Nutcracker,” famously starring Macaulay Culkin. (And I remember eating that movie up!) In doing my research for this book, I watched several versions of the ballet, and there are so many to choose from!
4. Christmas at home: You can’t have “The Nutcracker” without the magic of the holiday. It’s true that the Nutcracker is centered around the holiday of Christmas - because without “Christmas Magic,” the wooden toy wouldn’t come to life! I actually started writing “WinterDream” right in front of my Christmas tree. There’s just something about being at home, during Christmas, with a tree and lights and feeling the love. All of that and more helped to fuel what I imagined for Clara and her family during the opening scene at her family’s party!
5. Queen Victoria and Albert: It’s no secret I’m a sucker for romance. I’d just started watching “Queen Victoria” on the BBC, and really loved the romance between Queen Victoria and Prince Albert (which also led me to watch “The Young Victoria” over and over again. As I watched, I wanted to sort of capture this royal romance in Clara and the Nutcracker. I’m not sure if I did that entirely, but - they did stand as an influence in the way I wrote the two characters together.
6. Beauty and the Beast: Every fairytale has some sort of twist to it, to make it all the more interesting. Cinderella has to leave the ball by midnight. Rapunzel must keep her Prince a secret from the witch. Snow White must be kissed by her True Love in order to awaken. For the Nutcracker, in “WinterDream,” I needed there to be a spell - something to free him from his wooden bonds, and to give Clara a reason to be sent to WinterDream, and to fight for what she loved. Beauty and the Beast and the spell that Beast is placed under played a role in the way I viewed the Nutcracker - and a little of the struggles that he faced. He might not have been a fury beast, but he did have his own obstacles he had to face as a wooden soldier.
7. Mrs. Weasley: Mother Ginger was entirely based on the movie version of “Mrs. Weasley” from Harry Potter. I loved her spunk and her whit - but her kindness, and her willingness to place food in front of someone and make them feel at home. She just makes you want to stay forever, and bake in her kitchen.
8. The Princess Bride: The Nutcracker has these lines of dialogue that are very resonant of “The Princess Bride” - more important, Wesley. As he’s fighting against the Mouse King with a sword, he’s throwing out insults that are just as whity and beloved as the ones we hear in the classic ‘80s movie. I think anyone who reads this, is definitely going to get some Wesley vibes.
9. War and Peace (2016 Miniseries): I love anything that I can find on the BBC if it has to do with historical drama, and romance. And I was so intrigued by the idea of a miniseries of “War and Peace,” (starring one of my favorite actresses, Lily James.) After having seen the show, and listened to the score, I felt as though I was able to see an older side to St. Petersberg, and how society of the past had been. Having already been familiar with the story of the Romanovs (and having watched a ton on the family and the history) - along with classic movies like Doctor Zhivago, I knew I wanted to give a nod to the Russian Ballet origins. Traditionally, The Nutcracker is a German tale - but began as a Russian Ballet. I felt it only right to bring Clara and her Nutcracker to Russia - and used influence from War and Peace to make it happen!
10. Girl Power: It might seem a little cliche to say, but girl power was something I really wanted to bring to “WinterDream.” We all love a strong heroine/hero. I'm all about writing characters (and in this case, women) who are strong, independent, brave - but most importantly - real. We all have our moments of weakness; those times when we're unsure of how to go on - if we can go on. . . but have the willpower to try. Clara finds herself in a few situations of battling against mice and facing unexpected villains - and doing so with her own sort of bravery.

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