BLURB
Four couples, four stories: Darien Francis and Richard Li meet during a bank robbery, but she’s afraid to love again. Shane Kenniston and Beth Parker are reacquainted years after she had a crush on him, but she is a recent widow, and Shane’s life was upended by a false accusation. David Early and Kate Howard meet in the Laundromat, but her life is consumed by the needs of her disabled child, and David isn’t ready for the responsibility. Realtor Frank Ellison meets Kayla Barnes at an open house, but a mistaken first impression derails any chance of romance. Can they all overcome the obstacles to love?
SNEAK PEEKS:
From “No Regrets”:
“Well, you are too good to be true, aren’t you?” She grinned, and then she sobered, and their eyes met. They stopped walking. The dogs tugged at the leashes and strayed from the path, sniffing at everything they could reach. Richard tossed the remains of his lunch in a trash container and put his arms around her. The sounds of traffic grew distant, muted. Manning walked in a circle, wrapping the leash around their legs. They both laughed, and they kissed quickly and then not so quickly. “In a public place,” she said in mock disapproval.
From “Probation”:
“So, you don’t smoke, you don’t drink, and you don’t do Halloween? What do you do?”
“Whatever you’ll let me do, I guess,” he said. He hadn’t used that old line since college.
She was surprised, but she didn’t seem upset. She gazed at him speculatively for a few seconds and then leaned towards him. He didn’t want to take anything for granted, so he waited for her to kiss him first, but he responded without hesitation. She tasted of beer and cherry-flavored lip gloss. “Oh, gosh,” she said. “Wait till I tell Patty I kissed Mr. Kenniston.”
From “The Shape of Life“:
Kate,” he said, into a pause that had unexpectedly lengthened into a silence, and she turned toward him, smiling a little. Without knowing he was going to, he kissed her. She was warm and willing, and then she murmured, “David,” half in protest, and pulled away.
“I’m sorry,” she said. “It’s not you. You’re a very nice guy.”
“It’s all right.”
“I can’t do this right now. My life is complicated enough.”
“I wasn’t trying to complicate your life.”
“No, I know.”
“It’s all right,” he said again. He took her hand. “Relax. There’s no cost or obligation.”
From “House Hunters”:
Her shape had never bothered him before. But right now, it was distracting him to know she had that lovely, decidedly female body under her jeans and sweater. He turned his head toward her, and she looked up at him, and he leaned in to kiss her.
“Don’t,” she said, but she kissed him back. The gesture was more friendly than passionate, but her lips were soft and sweet all the same. He knew it wasn’t supposed to be happening, but he couldn’t remember why, and he liked it—more than he liked the Canaletto.
Author Bio:
For more information, visit my website, sign up for my newsletter, and claim a free autographed copy of Seventeen Days. https://www.lindagriffinauthor.com/
I was born and raised in San Diego, California and earned a BA in English from San Diego State University and an MLS from UCLA. I began my career as a reference and collection development librarian in the Art and Music Section of the San Diego Public Library and then transferred to the Literature and Languages Section, where I had the pleasure of managing the Central Library’s Fiction collection and initiating fiction order lists for the entire library system. Although I also enjoy reading biography, memoir, and history, fiction remains my first love. In addition to the three R’s—reading, writing, and research—I enjoy Scrabble, movies, and travel.
My earliest ambition was to be a “book maker” and I wrote my first story, “Judy and the Fairies,” with a plot stolen from a comic book, at the age of six. I broke into print in college with a story in the San Diego State University literary journal, The Phoenix, but most of my magazine publications came after I left the library to spend more time on my writing.
My stories have been published in numerous journals, including Eclectica, Thema Literary Journal, Avalon Literary Review, The Nassau Review, and Orbis, and in the anthologies Short Story America, Vol. 2, The Captive and the Dead, and Australia Burns.
Member of RWA, Authors Guild, and Sisters in Crime
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