Excerpt:
The crack between worlds happened before I decided to move home to Santa Fe. Had the thought occurred to me, I’d probably have laughed, a little. Until the memory pushed through, a half-remembered nightmare hidden in an undercurrent of emotion, but
always there, flowing beneath the surface of consciousness. Sometimes it’s better if those feelings stay buried, where they can’t pull you under.
After twenty-four years, here I was. Back in the City Different. Because sometimes, life makes hard choices for you. Otherwise, I’d still be in San Diego, not in my aunt’s house, trying hard to pretend I wasn’t a stranger to my own family. For the last half hour, I’d tried to shake off the odd sensation after Zelda made an impromptu, awkward stop at the site of my childhood home, whatever that was about. No longer commenting
on family social media posts from a distance, instead I was in the thick of things.
“How’s Javi been?” I asked Zelda. My aunt had answered my offer to help prepare dinner by handing me a glass of wine and telling me to relax, she had it under control. I had no doubt. Despite driving me from the airport, she was as cool as a freshly picked jalapeno, and as likely to burn you.
“Wonderful. But you can ask him yourself at dinner.” Her deep, distinctive voice was like smoke pouring across gravel.
“Cool, I can’t wait.” When I’d last spent time with my cousin, we’d been kids. Closer than most first cousins, we shared a family conspiracy, hoping none of our classmates would find out that we were not like any of them. No matter where we went, we didn’t belong.
Zelda’s silver bracelets jingled as she briskly arranged vegetables around haddock fillets. “Phoebe will be excited to see you again.”
“You still have her?”
“Of course. She’s as old as you, which makes her barely middle-aged. Phoebe, dear,” she called, “we have company.”
A squawk sounded from the other room, where sunshine poured across the floor in a welcoming sea of light.
I’d always loved my aunt’s house. From sunup to sundown, daylight flooded through the house’s tall windows. The wood-framed stucco structure was a typical style for Santa Fe, not much different from the others in the neighborhood. What had stood out in my
memory was the tall wooden fence that bordered the yard, painted a vivid shade of blue, with myriad crosses along the top of the front gate.
“Careful,” Zelda said. “She’s testy sometimes.”
“Aren’t we all?” I only half joked.
Before my aunt could answer, I made my way from the kitchen to the sunroom beside it. The glass enclosure looked out onto the back yard and faced the outdoor fireplace. On either side of the tall chimney, colorful painted angels decorated its white stucco surface.
The bird cage, as tall as me, occupied a corner. And as always, the door sat wide open so Phoebe could climb in if she wanted, which she almost never did unless she got hungry. A bamboo perch ran above the cage, between the two potted palm trees that provided shade. There Phoebe sat, eyeballing me. Sunlight caught the green and blue feathers, making their colors rich as jewels.
At my approach, the parrot bobbed its head and danced along the perch. Even a nip from Phoebe’s curved beak hurt like hell, so I kept a few feet between us and cooed my greeting.
Pans rattled in the kitchen. “Be nice, Phoebe girl.”
The bird gave no indication of recognizing me. I didn’t know why I’d expected a different reaction. Because I’d taught it more than fifty words, over two decades earlier? Moving home shouldn’t reduce me to childish notions.
So much for a reunion. I returned to the kitchen.
“Sure I can’t help with anything?”
“When do you start your new job?”
“Monday.” Fluttering in my belly reminded me it was coming up fast. Another long adjustment period awaited me, learning a new job, getting to know all the quirks and qualities of my coworkers. After I’d been hired as the new reporter at the Santa Fe Chronicle, I’d read the online edition every day. The stories helped give me a sense about the writers. Glimmers of their personalities shone through in their word choices, the nearly undetectable spin they gave topics.
“That doesn’t leave you much time for moving in.”
Spooning a marinade over the dish, Zelda flicked up her gaze.
The look hit me like lightning. The cogs were turning in my aunt’s head; I could practically see the rotation behind her eyes. If I didn’t put her off track, Zelda would start commandeering my daily life.
I folded my arms and shifted toward the island, a not-too-subtle body language indicating my need for a barrier between us. “The two guys I hired to bring my stuff are supposed to arrive tomorrow morning. I don’t have much, so they can get everything inside the apartment in a few hours. I prefer to take my time settling in.” All taken care of, my subtext said. No need for Zelda to worry. She could divert those black eyes elsewhere.
On cue, Zelda flashed her Mona Lisa smile and glanced away. “Too bad I gave my extra furniture to Javi.”
I watched my aunt with a mixture of wonder and frustration. All these years, and Zelda still pretended. Spoke with flawless Spanish enunciation, wore her long black hair in a bun at the back of her neck, decorated her house with painted ceramic geckos and metal sun faces, even named her son Javier to avoid question of our true nationality. My parents had committed the same sins of omission and pretense and expected us children to do the same.
Do you feel that writing is an ingrained process or just something that flows naturally for you?
I’ve been writing since age 11, so by now the process is ingrained. Ideas will come to me, and at that stage, it’s important just to commit those scenes to paper, or jot down the bits of dialogue, or whatever it might be. When I write the first draft, I lock my inner critic in a soundproof corner of my head so the story will flow as it comes to me. The revision process is more meticulous, time-consuming and at times painful!
What mindset or routine do you feel the need to set when preparing to write (in general whether you are working on a project or just free writing)?
Generally, characters will pop into my head and interact with each other as if a movie is playing in my head. They’ll keep showing up, usually at inconvenient times, and I do my best to follow along. Mostly they exist independent of me, it seems, and if I find the story exciting, I hurry to get as much down as possible.
Do you take your character prep to heart? Do you nurture the growth of each character all the way through to the page? Do you people watch to help with development? Or do you build upon your character during story creation?
A character’s backstory is really important, even though many times those details never make it onto the page. The details still inform the character’s choices, their thoughts, their reactions to what’s going on around them. Sometimes a character will surprise me by doing something unexpected, which is always exciting because it will show me a new facet of their personality.
Can you share your next creative project(s)? If yes, can you give a few details?
For the past year or more, I’ve been writing a story I’ve carried around in my head for years. One that’s like nothing I’ve written before, so it makes me a little nervous, but also really excited because I don’t think there’s another one quite like it. The story is set in an alternate world and follows two girls from very different backgrounds whose lives collide unexpectedly. More to come later!
What are some of your writing/publishing goals for this year?
2020 was a story unto itself, one that no writer at any level could have told without readers laughing. Until it actually happened, and our jaws dropped collectively. So many plot twists! So, goals went out the window other than just getting through the craziness, a day or week at a time. I’m hopeful that 2021 will allow publishers to get back on track, and then I will pitch the two-book series mentioned above.
Thanks so much for having me at The Book Junkie!
Thanks so much for featuring Secret Spirit Guardians of Santa Fe today!
ReplyDelete