Showing posts with label Fiery Seas Publishing. Show all posts
Showing posts with label Fiery Seas Publishing. Show all posts

Thursday, January 4, 2018

SPOTLIGHT w/INTERVIEW - Hot Shot by S.A. Stolinsky


Hot Shot
by S.A. Stolinsky
Publishing Date: November 1st 2016
Publisher: Fiery Seas Publishing

Genre: Suspense


BLURB
Payback is a powerful thing...

Actor and bartender, Tyler West experiences a sudden streak of luck -- winning poker games. Determined to change his life, he enters the World Series of Poker. His life is suddenly turned upside down when the Russian mafia fronts him 1.5 million dollars to play at the tables. And then...he loses…

Now on the ride of his life, deceit and deception are his key to uncovering the truth. He must recoup the money, but will it come at a price? Can he stay alive long enough or will his time run out?

Excerpt:
Tyler pushed his long, blond hair back with one hand and slouched.  He knew she found him attractive.  “I’ll tell ya,” he began, hoping to make it last, keep her interested.  “I pretty much need the start up money right now.”
Ah, too fast.
“Start up money? Now? You think I got a stash under my bed upstairs?  We should go up and find out.  My, my we’re in a hurry aren’t we?” Elsie pushed Tyler into an oversized easy chair covered with brown mohair. A black cat with white paws jumped off it as Tyler slammed down.
“Easy kid. That’s the trick. You don’t wanta look too desperate, know what I mean? Well, you are good lookin’ I’ll give you that,” she said. “What ya got there?”
Tyler gave her a certificate.
“Made this up on my computer. It kind of sells land.”
“Bullwhippie,” Elsie said as she tore up the certificate and put it in a glass ashtray on the glass coffee table. “The only thing that makes a lot of money fast is ass, kid.”
“One point five million?” Tyler asked.
“You’re good looking, but honey your ego’s getting away with you.”
Elsie sat in her chair, a plush, pink armchair with multicolor pink pillow and a foot stool in front. She leaned toward him.
“Listen, baby. This is just between you and me, got it? I’ve been a madam longer than I can remember. I work on the sly sometimes, and my parole officer comes around, but he don’t bother me. You know why?”
            A still crestfallen Tyler looked at her.
            “Because I got the goods on all those assholes, that’s why. I got the video. Don’t ever do porn without a video somewheres in the bedroom. Ya got me?”
            Tyler nodded.
            Elsie continued without noticing. “I’ll never tell where I hid the original, but believe me I got plenty of copies. Got a friend on Grand that does the best photography in the city. I had a couple of tapes made and almost sold ‘em to TV—the porn sites. So I been thinkin’ real hard about how I can re-establish my rep. And here you come.”
Tyler finally opened his mouth but it was only to use his tongue to wet his lips, they felt parched and he was sure they would crack it he kept his mouth closed any longer.
“Yes, Ma’am,” was all he could think to say.
“I’m gonna start up the biggest whore house in the state, sonny. This time? With men. You know how much a good male hooker can make? Two thousand a night. Now---depending on your stamina…”
“Yeah, I get the picture,” Tyler said.
He wasn’t in to older women, but he had to admit, Elsie was beginning to look visibly younger with the excitement she was projecting. Some people love their work. Her gray roots were beginning to look more like silver blonde streaks and her smile was widening. Her teeth, perfect in what were undoubtedly caps, glistened.
“A male whore house. I don’t think it’s been done before,” Elsie repeated.
Elsie was spry for a woman her age, but she had become overweight and as Tyler checked out the flat, it looked like she’d just moved into the place.  She no longer looked like a professional, but that was probably the point.  On a small table next to Tyler there was a silver framed picture, a studio shot of a glamorous woman, her head tilted back, full makeup and blond hair, her fingers just touching her chin and a large, pearl necklace around her neck and thick jeweled bracelets on her wrists. Tyler realized it was an old shot of Elsie maybe forty years ago.
“Women in their eighties still masturbate, you know that?” Elsie asked noticing him admiring the photo. She looked like she might jot down his answer in an interview. “And what a shame that is when guys like you are just running around willy-nilly.”
“No, ma’am, never really thought about it,” Tyler said.
“You sure do look like your pa. He was a crafty one, but always good to my girls. You work out, huh? I got a boob job in my seventies. Hell, nothing stays up forever. They’re just starting to sag again now. Thinking about getting ‘em done again, so this is a good time we connected.”
“Yes, Ma’am,” Tyler wasn’t sure where this was going, but he was pretty sure he didn’t want it to go much further.
“Thirty percent on my end,” she said.
“Huh?” Tyler realized his eyes had widened and tried to relax so he wouldn’t look so stupid.
“Thirty percent.”
“That’s a lot of money, Ma’am,” Tyler said, when the hole in his stomach shrunk slightly. “I mean I’m desperate, like you say, but that’s a big cut.”
“Listen, kid. A man looks like you, your age, your height, your…face, could make more than two thousand dollars a night, okay? It’s not gonna last forever, so you better grab it while ya can.


MY INTERVIEW WITH S.A. STOLINSKY
How would you describe you style of writing to someone that has never read your work?
I’m hoping that my style is simplistic, easy to read, and economic.  I like the way Robert Parker wrote.  Economically. He always said he didn’t waste too much time with language, and quoted Harold Pinter as the great compressionist.  I also write about the people I’ve met, the things I’ve experienced.  I’m a forensic psychologist, so the people I interview have quirky and unusual ways of thinking.  When I was doing comedy, the idea was to turn simple things into crazy, out of whack things that would make people sit up and go, “whoa, I didn’t see that coming.”

I try to say a lot with the fewest words I can. And like John Irving, someone who’s work I love, I do write the last chapter first so that I can see where I’m going.  I also have recently started writing the most pivotal scene that will be in the book, first so that I can visually see the “arc” of the character, how he or she changes and what makes him or her change.

I construct a careful outline of the story, chapter by chapter, and see everything. When you do that, you see the “inciting incident” and you see how someone’s backstory will influence how he or she reacts to the current situation.  An outline forces you to flesh out the whole story. So that's the way I write.

The character always comes first with me, even though I have a good idea of what the plot will be.  I have to know someone and really understand what would turn their life upside-down, and then construct a plot that will turn their lives upside-down.  Once I know that, I know I’ve got a great hook that can really grab the reader.

What mindset or routine do you feel the need to set when preparing to write (in general whether you are working on a project or just free writing)?
I write every day, 7 days a week.  I get lazy like right now.  I’m in the midst of finishing the second book in the Counterfeit series and I’m trying to get through the middle of it.   For some reason, I want more to happen.  I usually get up at 8:30 in the morning, have breakfast with my husband and then write for the entire morning.  I’ll have lunch with him and then go to the show.  I get enthused by reading something I love like Mikey Spillane.  His language and plots and character foibles can really get me going.

Do you take your character prep to heart? Do you nurture the growth of each character all the way through to the page? Do you people watch to help with development? Or do you build upon your character during story creation?
I have already “People-watched” in order to get the backstory of my character and I most certainly take him or her to heart.  The character usually grows due to the circumstances of my plot and will build on his or her own sense of self-worth and empowerment.

Have you found yourself bonding with any particular character? If so which one(s)?
I’m not that old, but from the time I was an actress in the middle 70s, I liked a character I called, “Mrs. Heffleby.”  She was a crusty old woman (at least 50 years older than I was at that time) and I remember my acting coach, Jack Garfein, telling me to work on that character.  I think she shows up in some guise or other in every piece I write. She’s always “the Greek chorus” commenting on what’s going on and how it’s disturbing her peace, busting her serenity.  I just love that character.  In HOT SHOT, my newest comedy/mystery, she’s a madam.

Do you have a character that you have been working on that you can't wait to put to paper?
I pretty much get them on paper. But I would love to put someone like a Sally Ride, the late astronaut into a book about perseverance, love, commitment and self-reliance.  I’d love to put her in a situation where she connected to the simple-minded man and worked through a really difficult time with him.  When the guy finds out who she is, he feels blessed and special.

Have you ever felt that there was something inside of you that you couldn't control? If so what? If no what spurs you to reach for the unexperienced?

I have terrible ADHD.  I have very little ability to delay gratification and that causes terrible havoc with me.  When I studied with famed coach, Stella Adler, she told me it would take me longer to accomplish what I wanted because I had no patience.  She was right about that, but I did persevere. 

Author Info
Stefanie Stolinsky, Ph.D. is a licensed psychologist and forensic psychologist with a private practice in Beverly Hills, California. She  specializes  in trauma, adults sexually, physically and emotionally abused as children, and PTSD. She is an international speaker and has taught training seminars in overcoming the aftereffects of child abuse. She has also taught licensing examinations to candidates for both marriage, family and child counseling and for the psychology licenses. 

She began her career as an actress in motion pictures, television and stage and created a unique therapy combining acting exercises with psychodynamic psychotherapy to help survivors of all kinds of trauma overcome the aftereffects of abuse. The first edition of "ACT IT OUT" was a top seller for over nine years. A second edition of the popular book was launched in April of this year and is available on Praeclarus Press, Amazon, and Barnes and Noble.  

She is also the author of several award-winning short stories including her newest short story anthology, DATE NIGHT, and numerous comedy mystery. Dr. Stolinsky lives with her husband in Los Angeles.
Author Links:
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Tuesday, December 5, 2017

HOLIDAY EXTRAVAGANZA w/INTERVIEW - Hot Shot by S.A. Stolinsky

Hot Shot
by S.A. Stolinsky
Publishing Date: November 1st 2016
Publisher: Fiery Seas Publishing

Genre: Suspense
James Ellroy once said to me, “Go to the museums, the out of the way art galleries, the people in the park, any park, and talk to everyone.  That’s where you’ll get your stories and that’s where you get ideas.” I have no quarrel with that. After I stopped shaking because I was meeting a literary “star” I realized he was interested in the common man, woman, the everyday person whose story was on its face boring, but whose psychological makeup was anything but.

In Hot Shot, my protagonist, Tyler West, is depressed.  He starts out depressed, lonely, unsure of himself, angry, a real Borderline Personality.  He’s tried the drugs, the alcohol, the sex addiction, and now he’s lodged into gambling which turns out to be his worst nightmare yet.

He lost everything.  His girlfriend, his money, his life savings, his friends and almost his family—because there is one woman who still wants to see him---his mother, Sue,  and then I wondered, “Where am I going with this?”  Honestly, the way I write---I start out never knowing where I’m going with a book. I start with an idea and I always know the ending, always the ending.  Like, this one is going to be about gambling.  Okay, okay, what do I know about gambling?  Well, I love Vegas.  I love to watch some cowboy with a gut hanging over his belt, come in wearing a white Stetson hat and sit down at a $10,000 buy in table and literally put down $10,000 dollars!!

I freak out.  I do.  Who lives like that?  My mind goes over all the things I could buy for that much money and why is it so important for this man to chance it all?  Then that leads from one place to another. And then I just tell myself the entire story.  After that, what most of our colleagues call “Panstering” I will do the outline.  Because by then I know the story.

Then chapter one leads to chapter two, and so on. But when I first met the real “Tyler West” the pseudonym for a guy I worked with, I had no idea he was going to end up winning the World Series of Poker.  I mean how many people do that?  Then that led me to researching the book.  Oh, poor me.  I had to go to Las Vegas for a weekend, stay at New York, New York, eat all that glorious food, and wind my way to the Rio where the poker series takes place. 

What an arena---the size of about five football fields with tables bunched up against each other and six chairs to a table and rows upon rows of lighting above.  It’s daunting.  I spoke to some players who had lost, some guards who explained how the series worked and even a winner of three million dollars.

It's always good for me to go anywhere at Christmas time, too.  I love Christmas and as a child, my mother always had a very ornamental tree with gobs of presents under it.  And at an early age I realized, a good novel must have a Christmas or holiday scene, a rain scene, a love scene and a death scene.  Pretty good for a 10-year-old, but those were the stories I liked to read.  Especially Dickens.
 

I discover along with him what’s going to happen next.  When the book is finished, it’s generally around 315 pages, I re-read it and go where the book takes me. So, let me end by saying, along with your central plot, the added texture of a time and place really enhances a story.


BLURB
Payback is a powerful thing...

Actor and bartender, Tyler West experiences a sudden streak of luck -- winning poker games. Determined to change his life, he enters the World Series of Poker. His life is suddenly turned upside down when the Russian mafia fronts him 1.5 million dollars to play at the tables. And then...he loses…

Now on the ride of his life, deceit and deception are his key to uncovering the truth. He must recoup the money, but will it come at a price? Can he stay alive long enough or will his time run out?



MY INTERVIEW WITH S.A. STOLINSKY
How would you describe you style of writing to someone that has never read your work?
I’m hoping that my style is simplistic, easy to read, and economic.  I like the way Robert Parker wrote.  Economically. He always said he didn’t waste too much time with language, and quoted Harold Pinter as the great compressionist.  I also write about the people I’ve met, the things I’ve experienced.  I’m a forensic psychologist, so the people I interview have quirky and unusual ways of thinking.  When I was doing comedy, the idea was to turn simple things into crazy, out of whack things that would make people sit up and go, “whoa, I didn’t see that coming.”

I try to say a lot with the fewest words I can. And like John Irving, someone who’s work I love, I do write the last chapter first so that I can see where I’m going.  I also have recently started writing the most pivotal scene that will be in the book, first so that I can visually see the “arc” of the character, how he or she changes and what makes him or her change.

I construct a careful outline of the story, chapter by chapter, and see everything. When you do that, you see the “inciting incident” and you see how someone’s backstory will influence how he or she reacts to the current situation.  An outline forces you to flesh out the whole story. So that's the way I write.

The character always comes first with me, even though I have a good idea of what the plot will be.  I have to know someone and really understand what would turn their life upside-down, and then construct a plot that will turn their lives upside-down.  Once I know that, I know I’ve got a great hook that can really grab the reader.

What mindset or routine do you feel the need to set when preparing to write (in general whether you are working on a project or just free writing)?
I write every day, 7 days a week.  I get lazy like right now.  I’m in the midst of finishing the second book in the Counterfeit series and I’m trying to get through the middle of it.   For some reason, I want more to happen.  I usually get up at 8:30 in the morning, have breakfast with my husband and then write for the entire morning.  I’ll have lunch with him and then go to the show.  I get enthused by reading something I love like Mikey Spillane.  His language and plots and character foibles can really get me going.

Do you take your character prep to heart? Do you nurture the growth of each character all the way through to the page? Do you people watch to help with development? Or do you build upon your character during story creation?
I have already “People-watched” in order to get the backstory of my character and I most certainly take him or her to heart.  The character usually grows due to the circumstances of my plot and will build on his or her own sense of self-worth and empowerment.

Have you found yourself bonding with any particular character? If so which one(s)?
I’m not that old, but from the time I was an actress in the middle 70s, I liked a character I called, “Mrs. Heffleby.”  She was a crusty old woman (at least 50 years older than I was at that time) and I remember my acting coach, Jack Garfein, telling me to work on that character.  I think she shows up in some guise or other in every piece I write. She’s always “the Greek chorus” commenting on what’s going on and how it’s disturbing her peace, busting her serenity.  I just love that character.  In HOT SHOT, my newest comedy/mystery, she’s a madam.

Do you have a character that you have been working on that you can't wait to put to paper?
I pretty much get them on paper. But I would love to put someone like a Sally Ride, the late astronaut into a book about perseverance, love, commitment and self-reliance.  I’d love to put her in a situation where she connected to the simple-minded man and worked through a really difficult time with him.  When the guy finds out who she is, he feels blessed and special.

Have you ever felt that there was something inside of you that you couldn't control? If so what? If no what spurs you to reach for the unexperienced?

I have terrible ADHD.  I have very little ability to delay gratification and that causes terrible havoc with me.  When I studied with famed coach, Stella Adler, she told me it would take me longer to accomplish what I wanted because I had no patience.  She was right about that, but I did persevere. 

Author Info
Stefanie Stolinsky, Ph.D. is a licensed psychologist and forensic psychologist with a private practice in Beverly Hills, California. She  specializes  in trauma, adults sexually, physically and emotionally abused as children, and PTSD. She is an international speaker and has taught training seminars in overcoming the aftereffects of child abuse. She has also taught licensing examinations to candidates for both marriage, family and child counseling and for the psychology licenses. 

She began her career as an actress in motion pictures, television and stage and created a unique therapy combining acting exercises with psychodynamic psychotherapy to help survivors of all kinds of trauma overcome the aftereffects of abuse. The first edition of "ACT IT OUT" was a top seller for over nine years. A second edition of the popular book was launched in April of this year and is available on Praeclarus Press, Amazon, and Barnes and Noble.  

She is also the author of several award-winning short stories including her newest short story anthology, DATE NIGHT, and numerous comedy mystery. Dr. Stolinsky lives with her husband in Los Angeles.
Author Links:
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Thursday, November 2, 2017

SPOTLIGHT w/GUEST POST - Unfinished by Amy Snyder



Unfinished
by Amy Snyder
Publisher: Fiery Seas Publishing
Genre: Women's  Fiction
Why Women’s Fiction
Women’s Fiction is by far my favorite genre because they are stories about women, generally written, by women.

I enjoy the journey in a women’s fiction novel because, for me, it is relatable. It’s easy for me to step into the shoes of the main character. Even if the premise isn’t something that I can specifically relate to, a woman’s character, a woman’s voice connects with mine.


I like that when I read Women’s Fiction, it sounds like my voice.
I like that when I write Women’s Fiction, I can share my voice with others. 

Women’s fiction approaches women’s issues from a common ground. UNFINISHED is, on its surface, a story about a writer, but at it’s heart, it’s a book about a woman who loses it when her nest is emptied. Every woman can relate to struggling when the epicenter of their universe is rattled. Every woman can relate to breaking down when they lose something they love.

It is relationships that are at the heart of women’s fiction. It’s not always sweeping romance, but relationships are what drive the story of a women’s fiction novel. In UNFINISHED, Mirabelle’s relationship with her husband is certainly featured, but it’s her relationship to her imaginary friends that controls the narrative.

This focus on relationships creates characters rich in humanity and intuition. Reading their stories helps us to better understand people as humans and how we can all be better, treat each other better.

That’s why I read.
That’s why I write.


BLURB
Mirabelle is a writer who just can't finish any of the stories she starts. When her twins leave home for college, they take with them Mirabelle’s sense of identity. As she strives to adjust to her empty nest she is visited by someone unexpected: a character from the very first novel she ever attempted to write.

Characters from all of her unfinished works begin to materialize in her home, in her car, at her job. They talk, yell, and some even throw things at her. Mirabelle can see them, smell them, touch them and though she knows they’re not real, she can’t help but engage them. She created them, after all. They become part of her daily life and she finds herself alternating between hiding them from and sharing them with her almost-always-doting husband, Alex.

Some of Mirabelle’s characters are like good friends, encouraging her to finish something she’s started. Others manipulate her for their own needs and story lines. Good and bad, these characters are part of her and Mirabelle discovers she needs to both fix and finish them before they destroy her life, her sanity, and her marriage.
Buy Links:
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Author Info
Amy Snyder began writing when she realized the strange things that happened in her imagination were far more interesting than the things that happened in her real life.  After earning her degree in Radio, Television, and Film from Northwestern University, she worked at a financial brokerage house, a nationally published magazine, an advertising agency, and most recently, an elementary school as a Math Tutor, Substitute Teacher, and Library Paraprofessional. 

But she’s always been a writer.

Amy lives in Glastonbury, Connecticut with her husband, two teenage children, and two cats. While she has been known to talk out loud to the characters she’s writing, she hasn’t had an actual hallucination…yet.
Author Links
 

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Thursday, October 19, 2017

COVER REVEAL - The Renaissance Club by Rachel Dacus

The Renaissance Club
by Rachel Dacus
Release Date: January 16th 2018
Publisher: Fiery Seas Publishing
Genre: Time Travel Romance

BLURB
May Gold, college adjunct, often dreams about the subject of her master’s thesis - Gianlorenzo Bernini. In her fantasies she’s in his arms, the wildly adored partner of the man who invented the Baroque.

But in reality, May has just landed in Rome with her teaching colleagues and older boyfriend who is paying her way. She yearns to unleash her passion and creative spirit, and when the floor under the gilded dome of St Peter’s basilica rocks under her feet, she gets her chance. Walking through the veil that appears, she finds herself in the year 1624, staring straight into Bernini’s eyes. Their immediate and powerful attraction grows throughout May’s tour of Italy. And as she continues to meet her ethereal partner, even for brief snatches of time, her creativity and confidence blossom. All the doorways to happiness seem blocked for May-all except the shimmering doorway to Bernini’s world.

May has to choose: stay in her safe but stagnant existence, or take a risk. Will May’s adventure in time ruin her life or lead to a magical new one?

 
Author Info
Rachel Dacus is the daughter of a bipolar rocket engineer who blew up a number of missiles during the race-to-space 1950’s. He was also an accomplished painter. Rachel studied at UC Berkeley and has remained in the San Francisco area. Her most recent book, Gods of Water and Air, combines poetry, prose, and a short play on the afterlife of dogs. Other poetry books are Earth Lessons and Femme au Chapeau.

Her interest in Italy was ignited by a course and tour on the Italian Renaissance. She’s been hooked on Italy ever since. Her essay “Venice and the Passion to Nurture” was anthologized in Italy, A Love Story: Women Write About the Italian Experience. When not writing, she raises funds for nonprofit causes and takes walks with her Silky Terrier. She blogs at Rocket Kid Writing.
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Monday, October 9, 2017

SPOTLIGHT w/GUEST POST - YA HORROR - Demon Freaks by J.R.R.R. (Jim) Hardison

Demon Freaks
by J.R.R.R. (Jim) Hardison
Release Date: October 3rd 2017
Publisher: Fiery Seas Publishing
Genre: YA Horror/Comedy
 
BLURB
It’s the night before the SAT test. The forces of darkness are stirring.

Twin brothers, Bing and Ron Slaughter, know they’ve got to cram like their lives depend on it because their college plans sure do. If they don’t ace the test, they’ll be doomed to spend the rest of their days flipping burgers at the McDonald’s their parents run. That’s why they hatch a plan to meet up with the members of their punk band, the Ephits, spend the night studying at a secluded cabin in the woods, and maybe squeeze in a little jamming. What could go wrong with a brilliant plan like that? 

Ancient evil. That’s what.

As a cataclysmic lightning storm rolls in, Bing, Ron and the rest of the Ephits find themselves tangled in a sinister plot to summon a demon. Yes, demons are real. To survive the night, the band must find a malevolent artifact, battle bloodthirsty monsters and stand against the most dangerous and powerful foe humanity has ever faced…the Golfer’s Association.
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Teaser:

“Wait, wait, wait,” Ron interrupted. “The Golfers Association? Don’t you mean insane cultists or Satan worshipers or evil wizards or something?”
“Insane cultists, Satan worshipers and evil wizards are like elderly nuns compared to the Golfers’ Association,” their prisoner responded. “You’d be much better off if it were something that simple. These guys are demon freaks.”

“Demon freaks,” Bing repeated in a whisper. “That sounds…bad.”

“Oh, it’s bad alright,” the prisoner shuddered. “You have no idea.”



GUEST POST Death’s Sweet Kiss

Having a bad day? Would a sweet little drop of horror brighten things up? How about a massive wave of horror?

Imagine you’re walking down a sidewalk in a major city, minding your own business, your breath steaming in the air. You congratulate yourself on avoiding a slushy puddle that would have soaked your shoes. You’re on your way to grab a quick lunch, hurrying a little because it’s cold and already a few minutes past noon. Your boss will be mad if you’re late getting back again.

“You’re slow as molasses,” he always complains. “Slow as molasses.”

You hear a rumbling that breaks you out of your reverie, then the sound of panicked screaming. A shadow falls over you from behind and you look up into a towering dark wave surging toward you. You run, not straight down the path of the wave like an idiot in a horror movie, but like a smart person, dodging off to the side. Except the wave is so wide you can barely see its edge. You channel everything you’ve got into your legs, but the stuff is moving more than twice as fast as you can sprint. It surges around and through the shops, it crushes the cars parked along the side of the street, flattening their roofs and exploding their windows like gunshots. You have a few terrified seconds, muscles burning, heart hammering its way up your throat. You are almost to the edge. You’re almost there.

The wave smashes down on you, tumbling you like a rock in the surf. Again, you’re smart, a fighter. You don’t lose your head. Eyes shut tight, you try to swim to the surface. But you can’t. Your limbs are glued to your sides. You seem to weigh tons. You struggle, but you’re trapped in a sea of viscous goop, entombed like a bug in honey, mere feet from the edge of the devastation. You hold your breath and pray. Unbeknownst to you, a bystander rushes in to try to save you. His feet stick instantly and he topples, sinking into the muck which sucks him down on top of you. You don’t understand what’s thrashing against your body, but you feel a glimmer of hope and you crack your eyes to see what’s happening. No chance. The world is dark, dark brown. Blinded by the suffocating, goopy mask, out of air, you open your mouth to scream and the fluid rushes in. Your last sensation as it floods your lungs is the utterly confusing taste of overpowering, cloying sweetness.

Yes. You have just been drowned in molasses.

Does that sound like the most horrific and ridiculous way to die? Well, it actually happened, just after noon in Boston, on January 15th, 1919. In what was called The Great Molasses Flood, a massive storage tank at the Purity Distilling Company cracked open and spewed out 2.3 million gallons in a 25-foot-high, 300-foot-wide, 35-mile-per-hour tidal wave. It swept the city with such force that it knocked a fire house off its foundation, crushed entire buildings, injured 150 people and killed 21.

We normally think of molasses as slow-moving, but it’s what’s called a non-Newtonian liquid, which means that its viscosity changes when subjected to outside forces. If sudden force is applied, non-Newtonian liquids become much more fluid—like when you smack a ketchup bottle and the ketchup suddenly flows. The smack, in this case, was the rupture of the containing tank, which was unfortunately made from the same kind of steel as the Titanic, and prone to fracturing. Once it gave way, the sheer weight of that much molasses exploded the fluid out of the tank in a massive wave. It flowed with such initial force that it was more damaging than a similarly sized wave of water would have been. It literally ripped the buildings in its path completely apart.

As bad as the initial wave, however, was the aftermath. The cold January air rapidly cooled the molasses, raising its viscosity even higher than normal, so that those who’d fallen beneath the wave were completely trapped. Rescuers were powerless to save them because those brave souls who waded in to help became stuck and were pulled down to their deaths as well. Rescue crews of firemen and police used giant hydraulic siphons for days to pump the sea of molasses out of flooded cellars and basements, where more bodies were recovered. In the end, it took almost a week before all of the bodies were freed, and months before the cleanup was complete.

So, remember, as bad as your day might be going, at least you’re not suffocating in molasses. But do keep your eyes peeled. These kinds of things do happen.
 
Author Info
Fish Wielder is J.R.R.R. (Jim) Hardison's first novel novel (He wrote a graphic novel, The Helm, for Dark Horse Comics). Jim has worked as a writer, screen writer, animator and film director. He started his professional career by producing a low-budget direct-to-video feature film, The Creature From Lake Michigan. Making a bad movie can be a crash course in the essential elements of good character and story, and The Creature From Lake Michigan was a tremendously bad movie. Shifting his focus entirely to animation, Jim joined Will Vinton Studios where he directed animated commercials for M&M’s and on the stop-motion TV series Gary and Mike. While working at Vinton, he also co-wrote the television special Popeye's Voyage: The Quest for Pappy with actor Paul Reiser.

Jim has appeared on NBC's The Apprentice as an expert advisor on brand characters, developed characters and wrote the pilot episode for the PBS children's television series SeeMore's Playhouse and authored the previously mentioned graphic novel, The Helm, named one of 2010's top ten Great Graphic Novels for Teens by YALSA, a branch of the American Library Association. These days, Jim is the creative director and co-owner of Character LLC, a company that does story-analysis for brands and entertainment properties. He lives in Portland, Oregon with his lovely wife, two amazing kids, one smart dog and one stupid dog.
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